board and would have to consider alternatives.
Yet his 747 had not already departed – it would sit at the terminal for a further twenty minutes, its fuselage visible through the windows. The problem was a purely administrative one: the airline had stipulated that no passenger, even one awaited by a bride and two hundred guests, could be issued with a boarding card less than forty minutes before departure.
The presence of the aircraft combined with its unreachability, the absence of another seat on a flight for forty-eight hours, the cancellation of a day of meetings in Tokyo, all these pushed the man to bang his fists on the counter and let out a scream so powerful that it could be heard as far away as the WH Smith outlet at the western end of the terminal.
I was reminded of the Roman philosopher Seneca’s treatise
On Anger
, written for the benefit of the Emperor Nero, and in particular of its thesis that the root cause of anger is hope. We are angry because we are overly optimistic, insufficiently prepared for the frustrations endemic to existence. A man who screams every time he loses his keys or is turned away at an airport is evincing a touching but recklessly naïve belief in a world in which keys never go astray and our travel plans are invariably assured.
Given Seneca’s analysis, it was ominous to note the direction that the airline was taking in its advertising. It was promising ever more confidently to try its very best to serve, to please and to be punctual. As a result, in an industry as vulnerable to disaster as this one, there were surely many more screams to come.
7 Not far from the incautiously hopeful man, a pair of lovers were parting. She must have been twenty-three, he a few years older. There was a copy of Haruki Murakami’s
Norwegian Wood
in her bag. They both wore oversize sunglasses and had come of age in the period between SARS and swine flu. It was the intensity of their kiss that first attracted my attention, but what had seemed like passion from afar was revealed at closer range to be an unusual degree of devastation. She was shaking with sorrowful disbelief as he cradled her in his arms and stroked her wavy black hair, in which a clip shaped like a tulip had been fastened. Again and again, they looked into each other’s eyes and every time, as though made newly aware of the catastrophe about to befall them, they would begin weeping once more.
Passers-by evinced sympathy. It helped that the woman was extraordinarily beautiful. I missed her already. Her beauty would have been an important part of her identity from at least the age of twelve and, in its honour, she would occasionally pause and briefly consider the effect of her condition on her audience before returning to her lover’s chest, damp with her tears.
We might have been ready to offer sympathy, but in actuality there were stronger reasons to want to congratulate her for having such a powerful motive to feel sad. We should have envied her for having located someone without whom she so firmly felt she could not survive, beyond the gate let alone in a bare student bedroom in a suburb of Rio. If she had been able to view her situation from a sufficient distance, she might have been able to recognise this as one of the high points in her life.
There seemed no end to the ritual. The pair would come close to the security zone, then break down again and retreat for another walk around the terminal. At one point, they went down to the arrivals hall and for a moment it looked as if they might go outside and join the queue at the taxi rank, but they were only buying a packet of dried mango slices from Marks and Spencer, which they fed to each other with pastoral innocence. Then quite suddenly, in the middle of an embrace by the Travelex desk, the beauty glanced down at her watch and, with all the self-control of Odysseus denying the Sirens, ran away from her tormentor down a corridor and into the security zone.
My photographer and