A Stitch in Time Read Online Free Page B

or illustration – and when she pulled a book or two out at random they each had the same queer smell. It was the smell, she decided, of books that no one has got around to reading for a long time. And the gold-lettered titles on their spines were far from inviting… The Origin of Species, by Charles Darwin, The Testament of the Rocks, The Principles of Geology. It was as she stared at them with distaste, though, that it occurred to her that words like “rock” and “geology” were to do with fossils. Shetook one of the books down and there, sure enough, was a page of neat drawings of rock sections, and, a few pages later, of shells. The text, though, was as unintelligible, almost, as though it were in a foreign language, laden with cumbersome words that she could not understand and sentences so long that it was quite impossible to find out what they meant. The drawings, on the other hand, were nice, and one book at least looked as though it might be helpful. She selected an armful and took them upstairs to her bedroom.
    Arranged in a row on the table they looked important, if daunting. She sat down at the table – an old, battered one it was, with inky grooves and at one side some deeply inked initials, H.J.P. – and opened The Origin of Species, not very hopefully. It was an extremely solemn book, though one page through which she skipped did talk quite interestingly about striped horses. Most of it she could not understand at all. She scowled at the book, scrubbing the heels of her sandals on the rung of the chair, while outside in the garden that small dog was barking again. This book isn’t going to be any good, she thought, I don’t really understand a word of it. She flipped through the pages, and as she did so the book fell open at the end, and there, on the blank last page, somebody had madedrawings with a fine-nibbed pen, with writing beside each one.
    Disapprovingly, because she had been brought up to believe that you should never scribble in books, Maria examined the writing, which she recognised as old-fashioned in its neat, sloping style, but a little uncertain, probably that of someone around her own age. There were several instances of mis-spelling. “Specimins collected upon the cliffs” she read, and then there was a list of Latin names – Gryphaea… Phylloceras… (it was impossible, of course, to know if these were correctly spelt or not) – with, beside each, a neatly penned drawing of a fossil. Several times the nib of the pen had caught on a rough bit of paper and spat a shower of minute ink dots which, in one place, the writer had turned into a little figure wearing a dress to below her knee, with a frilled pinafore on top, and black boots with many buttons. And long hair held back by a band. It was quite a good drawing. Better, thought Maria, than I could do. And then, running her eye down the page, she saw suddenly a drawing that looked familiar.
    That’s mine, she thought, that’s the one I don’t know the name of… And, laying her fossil beside the drawing, she saw its shadowy shape and patterning confirmed and defined in the tidy pen-strokes. Stomechinus bigranularis, said the writing alongside it, “an extinct form of sea-urchin. Found below the west cliff, 3 August 1865.”
    And it’s August now, thought Maria, a different August… And with the book still open on the table in front of her she sat looking out of the window and thinking about someone else (a girl, I’m somehow sure she was a girl…) who had held the same book just about a hundred years ago – no, more than that – and looked perhaps out of the same window maybe at the same shaggy lawn and gently heaving trees. Because, thought Maria, I suppose she lived here, since the book is here, and the fossils in the cabinet, which must have been hers… And, thinking about this, and stroking her fingers over the smooth, but so