for one reflected and one un-reflected spirit, me and pretty girl, no one can see her.
“Who are you?” I take a chance that one of them will hear me.
“Nobody,” pretty girl replies. “I’m just a nobody.”
“And Goth girl?” I tilt my head toward the cloud of smoke.
“She’s me. She’s the new me. Amy. Amy Harper. Used to get good grades. Used to babysit little kids and help mom around the house and . . . be happy. We’re kind of disconnected now.”
I stare at this girl, this spirit-Amy. No way. I can’t be listening to somebody’s soul talking. I must be hallucinating.
“Amy. Hi, I’m Jessica Mitchell.” I forget about my shoeless feet and cross over to the smoking girl. “Hi!” I get no reaction. Nothing. The real flesh and blood Amy Harper can’t hear me. She unknowingly blows more smoke at my face and I choke and cough.
I continue to choke and cough until Amy finishes her cigarette and leaves the restroom, her hazy soul a quick step behind, no wave to me or any indication that we’d spoken.
I’m alone for a moment and then Keith is here, leaning against the first stall.
“Sorry about disappearing,” he says.
“What are you doing here? This is the girls’ restroom.” I speak fast and cough again.
“Now you see me, now you don’t.” Keith laughs. “This is sort of fun, you know. Appearing, reappearing, floating above their heads.”
The coughing fit returns and I can hardly manage the spasms that shake my body. Maybe somewhere there’s a me who’s coughing up blood.
“You’ll be all right,” Keith says. “Just relax and go with the flow. They’re taking care of you.”
“Huh?”
“Come on, I’ll show you.” He takes my hand and leads me past the mirror where I can see how ragged I look and how pale Keith’s reflection appears. I’m vaguely relieved that we both have reflections.
I can’t make heads or tails of his explanation as he leads me out of the school and to a mangled blue Ford. He opens the passenger door for me and I get in. Somehow he manages to open the driver’s door and squeeze himself behind the steering wheel. The dashboard is collapsed, the radio is hanging forward, and the windshield is a web of cracks. He peels out of the lot with all the recklessness of rage and immortality combined.
“If I disappear on you again, don’t worry. Disappearing is a good thing . . . for me, anyway. It means I’m back in my body.” He chuckles while I ponder that one. Too strange. He pulls into a space in the emergency parking lot at the hospital, and says, “Follow me, Jess.”
“Jessica,” I correct him. I hate Jessie or Jess and I thought everyone knew that. How could he know my address but not know that?
Whoa. Slow down. I’m getting angry over nothing.
But I can’t control this apprehension. I keep on his right side after we maneuver the revolving doors, pass the nurses’ station, and enter the ER. I don’t want to see bed pans, puke buckets, or blood vials. I don’t want to hear screams.
But I hear them.
And crying. And short, dry sobs.
And then Keith is no longer on my left.
I stand in front of one of those curtains that curve around a hospital bed, hiding the sight but not the sound of a sick or injured patient. I hear a groan. Anxious parental voices cry out Keith’s name, hopeful and soothing, yet guarded. I duck under the curtain and stand at the foot of Keith’s bed. At least I think it’s Keith. It looks like his hair. His face is bandaged and the parts I can see are swollen. His mom and dad are holding his hands and cooing his name. This must be Keith. The clothing he was wearing is in a clear plastic bag under his mom’s chair. Bloody. His leg is held aloft by some contraption.
“Cool, huh?” he says. He stands next to me again, pointing at himself, or rather his body in the bed. “I’ve been in and out of consciousness for hours, popping back home or to school. Even went to church once.”
I want to ask where Michael