choice of words. âNumber One Fan,â you should have put. Of course, itâs too late now.
Some People is waiting at your doorstep, tapping her witch-toed boot, drumming her fingers on her narrow white hips, frowning at you through feathers of layered red hair. She takes one look at the cat hair on your clothes, breathes your Banana-Rama-and-flesh scent, and knows where you have been and what you have done.
âPathetic,â she says. âDisgusting. With her? That
child
? What is she, like, seventeen?â
Child?
She closes her eyes, shakes her head, sighs the way she does whenever you pull your guitar from its lovingly stickered case. âI canât believe you,â she says at last. âI really canât.â
And if your mouth werenât so full of cotton, if your throat werenât so parched from all that fat-girl wine, you would say, Neither can I. Neither can I.
A week later, the fat girl still wonât take your calls. You sit alonein your basement apartment, leaving message after messageâmainly drunken, but sometimes soberâwaiting for her to call you right back, canât believe that she doesnât. Mistake. Surely there mustâve been. Itâs only when you see her front window abruptly darken as you tipsily turn in to her driveway one night that you understand there has been no mistake.
Three weeks after that, youâre paying your first non-drunk visit to the fat girl. You donât know why. You only know you need to see her.
Itâs the only time youâve been to see her dryâor during the day, for that matterâand the house seems different, somehow. Smaller. Not swaying. Less lethal lawn ornaments.
Standing on the doormat, you knock a gentle knock. You knock and knock until the bundle of birch twigs tumbles to the ground and still there is no answer. But you do not give up. After all, she never gave up on you. You go around back like she always asked you to. Thatâs when you hear the sound of inexpertly strummed chords wafting out of her open window, smell nag champa burning, Banana-Rama bread freshly baked. You hunch down in the hydrangea beds and peer into her half-open window.
Sheâs lying on the bed wearing what appears to be some sort of uniform. Jesus. A high school uniform. Lying on the bed beside her is a tall, thin, lanky man with long hair. He looks older than you are. Mangier. Less gainfully employed. Heâs sitting reclined on her Indian cushions, your Indian cushions, his legs crossed at the knee, torturing the strings of an acoustic guitar. The fat girl lies with her eyes closed, her hands clasped on her vast stomach like sheâs dead. Her hair is fanned out all around her. Sheâs doing her nod. Her slow, grave, listening nod.
âWow,â she says, eyes still closed. âThis is so epic, Samuel.â
âSeriously?â
She nods slowly, her eyes still closed. âOh yeah. Really gritty too. And so . . . whatâs the word Iâm looking for?â
The man looks down at the fat girl like sheâs an oracle. âWhat? Like, raw or . . . ?â
âEthereal,â she says at last. âIncandescent.â
âWhoa. Really? You think so?â
âI know so.â
âRad. I really donât know what Iâd do without your support, Eleanor.â
âElizabeth. But most people call me Lizzie.â
âRight. You
get
it.â
The fat girl, your fat girl, is blushing. âOh my god, anytime, seriously.â
You watch this fucker help himself to Banana-Rama bread. He doesnât even use a napkin.
âWould you like to hear this poem I wrote?â she asks him. âI think it goes with your music pretty well.â You see her reach toward her faery journal, which is sitting on the armrest of the couch, at the ready.
âSure. But hey, can I play you some new stuff Iâve been tinkering with first?â
âOf