glorious. And I sat there, in my school holidays, and I read the childrenâs library, and when I was done, and had read the childrenâs library, I walked out into the dangerous vastness of the adult section.
The librarians responded to my enthusiasm. They found me books. They taught me about interlibrary loans and orderedbooks for me from all across southern England. They sighed and were implacable about collecting their fines once school started and my borrowed books were inevitably overdue.
I should mention here that librarians tell me never to tell this story, and especially never to paint myself as a feral child who was raised in libraries by patient librarians; they tell me they are worried that people will misinterpret my story and use it as an excuse to use their libraries as free day care for their children.
III
SO. I WROTE The Graveyard Book, starting in December 2005 and all through 2006 and 2007, and I finished it in February 2008.
And then itâs January 2009, and I am in a hotel in Santa Monica. I am out there to promote the film of my book Coraline . I had spent two long days talking to journalists, and I was glad when that was done. At midnight I climbed into a bubble bath and started to read the New Yorker . I talked to a friend in a different time zone. I finished the New Yorker. It was three a.m. I set the alarm for eleven, hung up a âDo Not Disturbâ sign on the door. For the next two days, I told myself as I drifted off to sleep, I will do nothing but catch up on my sleep and write.
Two hours later I realized the phone was ringing. Actually, I realized, it had been ringing for some time. In fact, I thought as I surfaced, it had already rung and then stopped ringing several times, which meant someone was calling to tell me something. Either the hotel was burning down or someone had died. I picked up the phone. It was my assistant, Lorraine, sleeping over at my place with a convalescent dog.
âYour agent Merrilee called, and she thinks someone is trying to get hold of you,â she told me. I told her what time it was ( viz. and to wit, five thirty in the bloody morning is she outof her mind some of us are trying to sleep here you know). She said she knew what time it was in LA, and that Merrilee, who is my literary agent and the wisest woman I know, sounded really definite that this was important.
I got out of bed. Checked voice mail. No, no one was trying to get hold of me. I called home, to tell Lorraine that it was all bosh. âItâs okay,â she said. âThey called here. Theyâre on the other line right now. Iâm giving them your cell phone number.â
I was not yet sure what was going on or who was trying to do what. It was five forty-five in the morning. No one had died, though, I was fairly certain of that. My cell phone rang.
âHello. This is Rose Trevino. Iâm chair of the ALA Newbery committee . . .â Oh, I thought, blearily. Newbery. Right. Cool. I may be an honor book or something. That would be nice. âAnd I have the voting members of the Newbery committee here, and we want to tell you that your book . . .â
âTHE GRAVEYARD BOOK,â said fourteen loud voices, and I thought, I may be still asleep right now, but they probably donât do this, probably donât call people and sound so amazingly excited, for honor books . . .
â. . . just won . . .â
âTHE NEWBERY MEDAL,â they chorused. They sounded really happy. I checked the hotel room because it seemed very likely that I was still fast asleep. It all looked reassuringly solid.
You are on a speakerphone with at least fifteen teachers and librarians and suchlike great, wise, and good people, I thought. Do not start swearing like you did when you got the Hugo Award. This was a wise thing to think because otherwise huge, mighty, and four-letter swears were gathering. I mean, thatâs what theyâre for. I think I said, You mean