said that, he fell
silent. The citizens also fell silent, each reflecting in his own way on the
mysterious power of haemoglobin.
When the moon rose and cast its minty light on the miniature bust of
Zhukovsky, a rude word could clearly be seen chalked on the poet's bronze
back.
This inscription had first appeared on June 15, 1897, the same day that
the bust had been unveiled. And despite all the efforts of the tsarist
police, and later the Soviet militia, the defamatory word had reappeared
each day with unfailing regularity.
The samovars were already singing in the little wooden houses with
their outside shutters, and it was time for supper. The citizens stopped
wasting their time and went their way. A wind began to blow.
In the meantime Claudia Ivanovna was dying. First she asked for
something to drink, then said she had to get up and fetch Ippolit
Matveyevich's best boots from the cobbler. One moment she complained of the
dust which, as she put it, was enough to make you choke, and the next asked
for all the lamps to be lit.
Ippolit Matveyevich paced up and down the room, tired of worrying. His
mind was full of unpleasant, practical thoughts. He was thinking how he
would have to ask for an advance at the mutual assistance office, fetch the
priest, and answer letters of condolence from relatives. To take his mind
off these things, Ippolit Matveyevich went out on the porch. There, in the
green light of the moon, stood Bezenchuk the undertaker.
"So how would you like it, Mr. Vorobyaninov?" asked the undertaker,
hugging his cap to his chest. "Yes, probably," answered Ippolit Matveyevich
gloomily. "Does the Nymph, durn it, really give good service?" said
Bezenchuk, becoming agitated. "Go to the devil! You make me sick!"
"I'm not doin' nothin'. I'm only askin' about the tassels and brocade.
How shall I make it? Best quality? Or how?"
"No tassels or brocade. Just an ordinary coffin made of pine-wood. Do
you understand? "
Bezenchuk put his finger to his lips to show that he understood
perfectly, turned round and, managing to balance his cap on his head
although he was staggering, went off. It was only then that Ippolit
Matveyevich noticed that he was blind drunk.
Ippolit Matveyevich felt singularly upset. He tried to picture himself
coming home to an empty, dirty house. He was afraid his mother-in-law's
death would deprive him of all those little luxuries and set ways he had
acquired with such effort since the revolution-a revolution which had
stripped him of much greater luxuries and a grander way of life. "Should I
marry?" he wondered. "But who? The militia chief's niece or Barbara
Stepanova, Prusis's sister? Or maybe I should hire a housekeeper. But what's
the use? She would only drag me around the law courts. And it would cost me
something, too!"
The future suddenly looked black for Ippolit Matveyevich. Full of
indignation and disgust at everything around him, he went back into the
house. Claudia Ivanovna was no longer delirious. Lying high on her pillows,
she looked at Ippolit Matveyevich, in full command of her faculties, and
even sternly, he thought.
"Ippolit Matveyevich," she whispered clearly. "Sit close to me. I want
to tell you something."
Ippolit Matveyevich sat down in annoyance, peering into his
mother-in-law's thin, bewhiskered face. He made an attempt to smile and say
something encouraging, but the smile was hideous and no words of
encouragement came to him. An awkward wheezing noise was all he could
produce.
"Ippolit," repeated his mother-in-law, "do you remember our
drawing-room suite?"
"Which one?" asked Ippolit Matveyevich with that kind of polite
attention that is only accorded to the very sick.
"The one . . . upholstered in English chintz."
"You mean the suite in my house?"
"Yes, in Stargorod."
"Yes, I remember it very well . . . a sofa, a dozen chairs and a round
table with six legs. It was splendid furniture. Made by Hambs. . . . But why
does it come to mind?"
Claudia