shacks, some of which appeared to have been semi-condemned since the first bitch—Hurricane Betsy—hit in 1965. But once he found himself in front of The Queen's one-story home, painted a magisterial purple worthy of her reputation, he was glad he had listened to the NOLA local who had tipped him off earlier that afternoon over the spray of dust exploding from the circular saw. Natty was not impressed, Generated by ABC Amber LIT Conv erter, http://www.processtext.com/abclit.html
however, and chose to stay inside the idling cab so the driver wouldn't take off without them.
"We ah gone dah hee-yah," Natty twanged. His accent always came back whenever he drank too much or spent time below the Mason-Dixon Line. On this evening, both qualifications had been met.
"We are not going to die here," Marcus assured him as he gingerly made his way up the battered stairs leading to a lopsided doorstep. He was about to ring the bell when he heard the metal-on-metal slide of multiple locks. The inside door swung open, first releasing the sweet pungency of dried sassafras and cigar smoke, then
revealing a Creole woman in a faded polka-dot housecoat who didn't look a day over 150 years old.
"Doggone it," The Queen grumbled. '"Nother one."
"I'm sorry to bother you," Marcus said, barely overcoming his urge to bow at her feet.
"Fa sho," she replied. "'S'what y'all say."
She contemplated Marcus through the sliced-up screen door, apparently waiting for word from the Loa as to whether he passed muster. He stood in silence, watching hummingbirdlike moths hurling themselves into the irresistible lamplight, flinching whenever one met its end with a metallic ding!
'LYeah, you right," agreed The Queen, though it wasn't clear if she was speaking to Marcus or the all-knowing undead. She pointed to a long slit in the screen and said, "Give it here, dawlin'."
Dutifully, Marcus pushed through five twenties, as he had been instructed before he came.
She counted the bills, then slipped them into the front pocket of her housecoat. The fabric was so faded that Marcus could still see the face of wild-haired Andrew Jackson on the outermost bill. Then The Queen gestured for Marcus to slip his hands through the same open space in the torn screen. She closed her eyes as she took his hands in hers, hands that felt not unlike Jessica's grandmother's hands, or those of any of the other elderly patients he used to take care of when he did community service at Silver Meadows Assisted Living Facility—fragile, like decaying paper or the wings of those suicidal moths. And it struck him as odd at the time that he should think of Gladdie, someone he hadn't thought of in years. He remembered the last time he had visited Jessica's grandmother before she died—she had beaten him at hearts, her favorite card game, by shooting the moon—and then, of course, he thought of Gladdie's wake, when he had boldly followed a grieving Jessica into the bathroom, locked the door behind them, and kissed her—hungrily, sloppily—for the very first time—
The Queen suddenly let go. No more than ten seconds had passed.
"Y'all gone get run ovah," she said.
"Run over?" asked Marcus, making sure he had heard her correctly. "By a car?"
"Noooooo." She cackled. "Mo' trouble den dat."
"A bus?"
"Her," she said with emphasis, the power of the pronoun in full effect.
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Marcus's mouth dropped open. The Queen's front door slammed shut.
"Git off mah poach," she shouted from inside. "I'm fixin' to watch 'Merican Ah-dol"
Natty taunted Marcus for the rest of the trip. "A hundred dollars wasted! That's ten Hurricane Katrinas!
Or one hay-yell of a lap dance!"
Now, back in the airport, Natty still spits with laughter. "Dude, seriously. You believe The Queen?"
"I didn't," Marcus says, angling his head to the side and down so he can look Natty in the eye. "Not until Jessica Darling ran over me while you were in