the only reason he remembered the incident at all was because the car had one of those yellow smiley face stickers pasted on the back bumper.â Max shrugged, strolled to the back of the room, and dimmed the lights. âAnd, of course, we got this. Footage from a nanny cam.â
âA lucky break,â Afton murmured. She knew this could be a real help.
Max flicked on a ceiling-mounted projector that was connected to a laptop computer sitting on the table. He punched a few keys and the projector hummed to life. âThose of us who have been up all night have already seen the baby cam footage. But you all need to see this, too.â
âItâs not the best quality,â Dillon put in. âDad cheaped out on the equipment.â
âIs there sound?â Thacker asked.
âMinimal,â Max said.
On the screen, a jumpy black-and-white image of a baby nursery burst into view.
Afton leaned forward and saw that the time code in the right-hand corner read, 20:17:45.569641.
âWe moved the video forward to the part just before the kidnapper enters the babyâs room,â Dillon explained.
The footage was grainy and dim, but Afton could see that the room was large by nursery room standards. The crib was frilly and elaborate and surrounded by stuffed animals. There was also a changing table, rocking chair, and of course, the sleeping baby.
The baby looked to be a few months old. A little girl. She was swaddled in a puffy quilt, her little cherub face looking peaceful and innocent in her slumber. The soft, easy breathing of the baby reminded Afton of the manynights she had stood in her own childrenâs rooms, gazing at them with a mixture of tenderness and awe.
There was the sound of a muffled scream and the child seemed to stir in her sleep.
âBabysitter just got jacked,â Dillon said. Then silence returned and the camera continued to roll as the baby slept on.
Two minutes later, a dark shadow fell across the crib. Afton and the others in the room held their breath. Then someone slipped directly in front of the camera. To Afton, it reminded her of a scene from that old movie
Nosferatu,
when the slithery, wispy figure of the vampire casts his shadow, then slowly oozes into the frame.
âJesus,â one of the uniformed officers breathed. âThat could be a woman.But itâs hard to tell.â
âNobody said that men had a lock on kidnapping,â Afton muttered under her breath.
âSo a woman? Weâre looking for a woman?â the officer asked. He sounded shocked and more than a little dismayed.
âWe think maybe a woman working with a male partner,â Dillon said. âThatâs what the babysitter seemed to indicate.â He consulted his notes again. âAnd there was a dusting of snow last night, so there was a pair of tracks on the sidewalk. One large set, one a little smaller, just where the dog walker guy said theyâd be.â
âAre there any other leads?â Afton asked.
âI was just getting to that,â Thacker said. âThere are a few . . . interesting aspects to this case. It seems that Susan Darden, the babyâs mother, attended a doll show yesterday at the Skylark Mall. From what sheâs given us so far, the only person Mrs. Darden spoke to was a woman by the name of Molly who makes what is termed
reborn
dolls.â
There was a cacophony of grunts and mumbles around the table.
âWhatâre those?â asked Andy Farmer, one of the detectives. âRetread dolls.â
âRe
born,
â Thacker said, making a disparaging face. âTheyâre dolls that have been painted and reworked so they resemble real live babies.â
More murmurs ensued. âSounds like real fruitcake stuff,â Max muttered.
âIs this doll lady a suspect?â Afton asked.
âWeâre not ruling anything out at this point,â Thacker said. âEspecially since Mrs. Darden gave this