house. Probably a rental, and a cheap one at that. Looking through the screen he could see what seemed to be a corridor, leading left to the kitchen and right to a bathroom. He could see into it. A white porcelain toilet and a sink were all that was visible from this perspective. He wondered if he had probable cause to enter the house, and instantly decided that he had enough. He pulled the door open and slipped in as stealthily as he could manage. A cheap and dirty rug leading down the corridor. He headed that way, gun up, senses sandpapered to ultimate alertness. As he moved, the angles of vision changed. The kitchen became invisible, but he could see into the bathroom better . . .
Penny Davidson was in the bathtub, naked, china blue eyes wide open, and her throat cut from ear to ear, with a whole body's supply of blood covering her flat chest and the sides of the tub. So violently had her neck been slashed that it lay open like a second mouth.
Strangely, Caruso didn't react physically. His eyes recorded the snapshot image, but for the moment all he thought about was that the man who'd done it was alive, and just a few feet away.
He realized that the noise he heard came from the left and ahead. The living room. A television. The subject would be in there. Might there be a second one? He didn't have time for that, nor did he particularly care at the moment.
Slowly, carefully, his heart going like a trip-hammer, he edged forward and peeked around the corner. There he was, late thirties, white male, hair thinning, watching the TV with rapt attention
—it was a horror movie, the scream must have come from that—and sipping Miller Lite beer from an aluminum can. His face was content and in no way aroused. He'd probably been through that, Dominic thought. And right in front of him—Jesus—was a butcher knife, a bloody one, on the coffee table. There was blood on his T-shirt, as if sprayed. From a little girl's throat.
“The trouble with these mutts is that they never resist,” an instructor had told his class at the
FBI
Academy
. “Oh, yeah, they're John Wayne with an attitude when they have little kids in their hands, but they don't resist armed cops
—ever. And, you know, that's a damned shame,” the instructor had concluded.
You are not going in to jail today.
The thought entered Caruso's mind seemingly of its own accord. His right thumb pulled back the spurless hammer until it clicked in place, putting his side arm fully in battery. His hands, he noted briefly, felt like ice.
Just at the corner, where you turned left to enter the room, was a bat
tered old end table. Octagonal in shape, atop it was a transparent blue glass vase, a cheap one, maybe from the local Kmart, probably intended for flowers, but none were there today. Slowly, carefully, Caruso cocked his leg, then kicked the table over. The glass vase shattered loudly on the wooden floor.
The subject started violently, and turned to see an unexpected visitor in his house. His defensive response was instinctive rather than reasoned—he grabbed for the butcher knife on the coffee table. Caruso didn't even have time to smile, though he knew the subject had made the final mistake of his life. It's regarded as holy gospel in American police agencies that a man with a knife in his hand less than twenty-one feet away is an immediate and lethal threat. He even started to rise to his feet.
But he never made it.
Caruso's finger depressed the trigger of his Smith, sending the first round straight through the subject's heart. Two more followed in less than a second. His white T-shirt blossomed in red. He looked down at his chest, then up at Caruso, total surprise on his face, and then he sat back down, without speaking a word or crying out in pain.
Caruso's next action was to reverse direction and check out the house's only bedroom. Empty. So was the kitchen, the rear door still locked from the inside. There came a moment's