wonât fall in love tomorrow.â And never in a hundred years would Blake point out his motherâs hopeful-yet-defeated tone to her. She had given up on herself, yes. But never on him. Never on his brother.
âLove is an illusion fostered by the greeting card industry.â
His mother opened her mouth. Closed her mouth. Shrugged. âI canât think thatâs true,â she said at last. âItâs too sad. And someone your age definitely shouldnât think itâs true.â
He would never point out she hadnât found The One, either. In the beginning, she was living on tips and finding out about the world. Then sheâd gotten pregnant, and the following years had been spent finding out what the world thought of single mothers.
Then, of course, their fatherâs wealth. From Burger King to Trattoria Reggiano in one day, thanks to their absent fatherâs determination to re-create the erotic food scene from the 9½ Weeks remake (he had choked to death on a kiwi).
And in all that time, Blakeâs mother had dated here and there, and apparently having twins wasnât nearly the baggage for a rich cocktail waitress as it was for a poor one (she still waited tables one night a month to âkeep my toe in the cesspool of humanityâ). But the men all left eventually, or she left them, and Blake knew why, because it was the same reason he hadnât settled down: two Tarbells would never settle . The third Tarbell had structured his entire love life around settling. And see how that turned out.
âIn your own way, youâre just as much a hound as your brother.â
âYou take that back!â he nearly roared.
âYou both go through women like a pig through slop.â
âEnough of the farming homilies.â
âThatâs fair,â she admitted. âThatâs how I can tell I need a nap. I start to sound like Sweetheart.â
âChange of subject?â he asked. âHow was the Louvre?â
âTerrible.â She pouted. âSecurity was far too tight.â
âMother.â He shook his head and gulped at his drink. âYouâre going to get arrested.â
âWhy are you using the future tense?â she teased. âIâve been arrested. And stop calling me Mother.â
He shook his head. His mother had the strangest hobby: She enjoyed changing museum exhibits. She would put Egyptian jewelry on a mannequin in the Western exhibit. She would put a kimono on a mummy. Blake had been thirteen before he realized all mothers did not do this.
âI donât want to talk about those unyielding, uptight Louvre employees. I want to talk about why youâre alone.â
âLeave it.â
âOh, goody! Here just in time for the âIâm rich and cute and life is sooooo hardâ followed by the âshut up about your problems that arenât problems, boyâ section of our program. Thank God I didnât miss it.â
Blake didnât look up. âApologize for calling me cute. Right now.â
Then he did look up and saw, as expected, Rake grinning down at them. Further proof Rake was clinically insane: He was happy to see his brother, and tolerated their motherâs loving criticism much better than Blake could. Because Rake was terrible. âAnd come on. Sushi? Are we really having bait for supper again?â
âBreakfast, I think.â His mother glanced at her watch. Four fifteen A.M. âSit down, boy. Give your mother a kiss. Stop pretending you donât like Japanese cuisine.â
âI love Japanese cuisine.â He slid into the booth beside their mother and kissed her cheek with a loud smek! that she pretended to dislike but blushed over even as she wiped it away. Blake admired his brotherâs ease in social situations almost as much as he found the man as irritating as a recurring hemorrhoid. âThe Japanese are a subtle people when it comes to