coffee. She wouldnât drink it, so I brought her a glass of milk. She finished it in one gulp. She was just a kid.â
The world had to be full of bushy-browed Judiths.
âYou know why she wouldnât drink the coffee?â
Cross stared at Peter hard, tried to will an idea into his head.
It worked. âShe was pregnant.â
Cross leveled a finger at Peterâs heart. Bingo.
Peter didnât feel like heâd hit a jackpot. âDid you call me out here because you werenât feeling well, or . . .â
The singer patted the air in front of him. âMaybe I went about this the wrong way.â
âI donât know what this is,â Peter said. âI should have sent you straight to the hospital.â
âIâve never been a big fan of those places.â
Peter held the long end of the lever. Heâd gained the upper hand. â Those places happen to be where we keep the cool machines. If youâre having cognitive lapses, you need to get that looked at. Bluto mentioned you were off for a few days.â
âHe was talking about the tour, not about me. The roadies donât pack me with the gear.â
âYou canât spare an hour to get checked out?â
âWe just spent my last free hour talking.â
Had an hour passed?
âIf you were my patient, Iâd tell you to make it a priority.â
Cross said, âThereâs room on the bird. When I first started, the label paid a voice coach to shadow me. A doctor would probably be more valuable now.â
Had Cross asked if a doctor was more valuable than a voice coach? Was that a question? âWhat bird?â
âThe plane, man. What do you think Iâm talking about?â
It was an unanswerable question. Their conversation didnât make any sense. âAre you offering me a job?â
âMaybe I am.â
Peter wasnât some shade-tree mechanic. He had a mortgage to service and a ficus that needed watering. Would anyone drop everything to hop on a plane with a hallucinating recording star? âIâve already got a job.â
Cross smiled. How would Peter describe the expression to Martin? A foxâs smile? A pickpocketâs? âIt was nice seeing you again.â
Heâd been dismissed. Peter tucked the photo into his backpackâhe needed a proper bag, something dignified. He tried to come up with something else to say; he wanted to have the last word, but Cross already held the room phone to his ear and was stabbing buttons with the middle finger of his left hand.
5
The major rock magazines used to send someone out every year to take Crossâs pulse, but heâs fallen out of fashion or outlived it. The baby-faced smart aleck with the shoelace guitar strap is gone. At best, heâs a haggard stand-in for the counterculture icon who melded Nostradamus and James Dean.
Plus, Cross has a track record of making those magazines look foolish.
In â76, after heâd stopped performing music for almost a decade, Rock Fan decided to poke his corpse with a stick. They gave their lead critic twenty thousand words to bury Cross. He challenged the myth that Cross was âthe poet of his generationâ or the âBard of Greenwich Village.â If Cross is lucky, the writer predicted, heâd wind up in Vegas, doing two-a-days at the Golden Nugget, blowing an oversize chrome harmonica that would dazzle like the crown jewels. In a final insult, the article concluded with one of Crossâs lyrics: â the dirty pigeons whisper / on the shoulders of the general / that his past is but a wasteland / and his name is lost to history. â 3
Eight months later Cross released Midnight at the Bazaa r 4 to universal acclaim. The critics crawled all over one another trying to praise himâthey said heâd put away his childish things and finally found a canvas vast enough for his prodigious talents. Cross ended his exile and went back on