what he was calling about. Would he do just one more, prior to payment? It wouldnât hurt to ask.
Buzz. Gloria said, âLinda Ann Margolies.â
âFine. Get me Charlie Hillerman.â
âYou must be crazy.â
âJust get him.â I switched to the outside line, and said, âMiss Margolies?â
âYes, it is.â Gloriaâs description had been absolutely on the money: sexy, cuddly and young. âIs that Arthur Dodge?â
âDepends,â I said. âWhat can I do for you?â
âIâm a graduate student at Columbia, Mr. Dodge,â she said. âMy masterâs thesis is on humor, and Iâd like to interview you about Folksy Cards and your theory of comedy and, oh, all sorts of stuffy things like that.â
âWell, you canât hope for too much from a first date,â I said. (She had a nicely throaty chuckle.) âWhen did you want to get together?â Not that I was set on fire by the thought of a masterâs thesis on the theory of comedyâmy own theory, which could quickly have been transmitted by telephone, is if they buy it itâs funnyâbut the voice was intriguing. And, as John Ray pointed out back in 1650, âA maid that laughs is half taken.â
âAs soon as possible,â she said. âCould I come down there today?â
âNot today,â I said. âUmm, how about next Wednesday?â
âWhat time?â
âOne oâclock.â Late enough for me to definitely be in town, early enough so I wouldnât have to leave for a while.
âFine,â she said. âSee you then.â
âTry to stay cheerful,â I told her, hung up, and Gloria buzzed me. âHah?â
âHillerman.â
âAh.â I pushed the button. âHi, Charlie.â
âSo youâre in town, are you?â He sounded dangerous, and I was recalling now that heâs a large fellow for an illustrator. He comes from Oregon, and heâs no stranger to woodchopping. âJust wait there,â he said, âIâll be right over.â
âNo need, Charlie,â I said. âI can describe the idea on the phone.â
That bewildered him. âWhat idea?â
âThe idea Iâm calling about. Itâs a Get Well Soon, and what we wantââ
âYou want me to do another ?â He became briefly falsetto. âYou son of a bitch, youâve been avoiding me with that out-of-town gag, all of a suddenââ
âCharlie, Charlie,â I said, âwhat makes you talk that way? I have been out of town. You can ask Gloria.â
âI was there yesterday,â he said. âAnd I went to your apartment, talked to that freak youâve got in there.â
âYouâve got my home address, Charlie? Thatâs wonderful; now we can see each other after business hours, too.â
âYouâre in town now , you bastard, andââ
âCharlie, what are you upset about?â
â You owe me three hundred and fifty dollars, you son of a bitch! â
âThat much?â With my free hand I opened my checkbook, which I keep edged in black.
âIâll take it out of your ass, Art, if I canât get it any other way.â
âCharlie, you know how bad the greeting card business is in the summer. Donât act as though Iâm not your friend, buddy, youâve cashed my checks before.â
âSome of them,â he said. âAnd some of them I used to fix bicycle tires.â
âThatâs good, Charlie, thatâs very funny. Listen, Iâm looking at my checkbook right now, andââ
âThe bank repossessed mine,â he said.
âCharlie, youâre really in top form today. You ought to write this stuff down.â
âIâll tell you what Iâm writing down. Never trust a dirty son of a bitch.â
âThatâs a good rule, Charlie. Listen, to be serious for a