smiling at him again, welcomed him with a sweep of his arm and said: Make yourself at home. Hans responded with a theatrical bow, stepping back a few paces in order to get a better view of the caveâs setting. On close inspection, and ignoring the fact that it bore no resemblance to a house, the cave could not have been better situated. There were enough pine trees surrounding it to soften the effects of the wind or the rain, without making it inaccessible. It was close to a bend in the River Nulte, and thus guaranteed a source of water. Unlike other barren, muddy areas at the foot of the hill, the entrance to the cave was blessed with a thick patch of grass. As though concurring with Hans, the organ grinder said: Of all the caves and grottos in the hill, this is the cosiest. As he stooped to enter, Hans discovered that, although undeniably damp, the cave was warmer than he had expected. The old man lit some tinder and tallow candles. By their light, the organ grinder took Hans on a tour of the cave, showing him every nook and cranny as if it were a palace. One of the great advantages to this dwelling is the lack of doors, he began, which means Franz and I can enjoy the view from our beds. As you see the walls arenât exactly smooth, but the irregularities break the monotony and create an interesting play of light, and what light! (The old man raised his voice, wheeling round with surprising agilityâthe candle he was carrying traced a faint circle on the walls, sputtered, but stayed alight.) Besides, how can I put it, they provide plenty of opportunity to enjoy
some privacy or sheltered sleep. The reason I mention privacy (the organ grinder whispered, winking) is because Franz is a bit nosey, he always wants to know what Iâm doing, sometimes it feels like heâs the owner of the house. Anyway, sshh! I didnât say a word, letâs carry on! Here we have the back of the cave, which, as you can see, is simple, but notice how still, how quiet it is, all you can hear are the leaves. Ah, and as for the acoustics, the echoes are amazing, when I play the barrel organ in here it feels as if youâve downed a bottle of wine in one.
Hans listened to the organ grinder spellbound. Although he found the damp, the gloom and the dirtiness of the cave uncomfortable, he thought it would be an excellent idea to spend the evening or even the night there. The old man lit a fire with some broom, dry grass and newspaper. Franz had been down to the river to drink and had come back shivering, his fur standing on end, the flecks on his paws a little paler. When he saw the fire, he trotted over to it, almost singeing his tail. Hans burst out laughing. The organ grinder passed him a demijohn of wine he kept in a corner. Only then, in the glow of the fire the old man had lit, could Hans appreciate the entire cave and study its odd furnishings. A few bits of clothing hung from a rope stretched across the entrance. Beneath the rope, the sharp point of the umbrella was embedded in the ground. Next to the umbrella were two pairs of shoes, one almost in tatters, stuffed with balls of paper. Lined up against the wall in order of size stood a row of earthenware cups, some plates, empty bottles with corks in them, tin pitchers. In one corner lay a straw pallet, and on top of it a heap of sheets and scraps of filthy wool. Scattered around the mattress like a ruined dressing table lay bowls, small wooden boxes and pieces of soap. A bunch of newspapers was hanging between two rock ledges. At the back of the cave was a pile of shoeboxes filled with pins, screws and various pieces of equipment and tools necessary for repairing the barrel organ. Spectacularly out of place in the
midst of all this lay the immaculate rug the instrument sat on. There was not a single book in sight.
There were two temperatures in the cave now. Within a half-yard radius of the fire, the air was warming up, caressing their skin. An inch beyond that, the room