imperceptive, but sheâd been that too.
The subeditor then told a story that heâd never mentioned in their three years together.
âMy first girlfriend, Donna, committed suicide when she was eighteen. Sheâd drink till she was nearly paralytic, and slash-up. I know that makes her sound mad, or wild, but Donna was quiet. Smart, with a good family ⦠Pretty. Too pretty really. She had big breasts. I never saw that as a bad thing, but she hated the way men looked at her. Always saying she wished someone would hack them off. Donna hated them. She was nothing more than her breasts. Even if sheâd had them reduced, or had a leg cut off, I still could have loved her ⦠Most girls â most girls who think like her â they stop eating, or they do something to stop being women. But Donna threw herself under the Sandringham train ⦠A school like Prospect ⦠A school like Prospect might have saved Donnaâs life.â
âIt might have,â Karen said.
âRemember that a personâs name is to that person the sweetest and
most important sound in any language.â DALE CARNEGIE
Grace says that I should stand up for myself. Iâve been playing bass for Dylan for thirty-two years, and he doesnât even know my name. Once in a while, Bob says, âMan, what was that shit you played on Quinn?â, and I tell him the amp crashed, and thatâs pretty much the sum of our conversations. When Grace says, âYouâve got kids at college ⦠If he doesnât know your name, how will he pay you?â I say that you donât bother a genius with trivia like back pay. Eventually, Bobâll see that I get my due.
Grace hasnât been with me all that time. Our paths didnât cross when she was on the catwalk, or singing âWalking in the Rainâ and âIâve Seen That Face Beforeâ, and I guess she never imagined then that fate would fix her up with a plodder like me. If you check out the old photos, Grace looks so dangerous, really formidable, and you wouldnât believe that sheâs quite petite, or that sheâd sing when she dries the dishes. Whenever she gets moody and tells me how lucky I am to be living with Grace Jones, I remind her that Bob Dylan doesnât know her name either.
It might be easier for us to live in a city full of people whose names Bob didnât know, but geographyâs tricky like that. Our local school crossing attendant is Jeff Lynne, who played with Bob in the Wilburys. His old band, ELO, sold container loads. I never heard them, but Grace says they were shit. Not that sheâd say that to his face, because Jeff âs a Wilbury, and a producer, and knowing a producer with clout makes a lot of difference when youâre begging for a recording budget.
No question, Bob knows Jeff âs name, and when the two of them tell their old stories about Roy, George and Tom, Bob uses Jeff âs name maybe one sentence in a dozen. âWell, yeah, thatâs what you say, Jeff. I donât remember that.â Dylan even sends him cards from different gigs, but thatâs the thing, when he sends him a postcard of a fat woman by the pool at the Bucharest Hilton, itâs always âMr Geoff Lynneâ. Geoff with a G, not Jeff with a J.
Jeff says that Bobâs just got the English Geoff mixed up with the more phonetically obvious American Jeff, and thatâs OK. An understandable mistake. With Jeff born in Birmingham, youâd expect him to be the English Geoff with a G, not the Cold War fighter pilot Jeff with a J. Mr and Mrs Lynne got it arse-about trying to be fancy, and itâs hardly Bobâs fault that logic lets him down. But Grace says that not being able to spell someoneâs name is exactly the same as not knowing it. Best not to argue that point because itâs something she gets strident about.
Maybe itâs a Jamaican thing, but Grace has a two-directory view