âI want this girl.â
âWell, have her!â Decker blared back. âJust get her out of my sight. And keep her out of bathing suits!â
I changed my clothes, signed a six-week contract at four hundred a week, then left with Sam Aces.
âWhatâs wrong with Decker?â I asked.
Aces grinned. âHigh blood pressure. I donât blame him for getting mad. You must have raised his reading at least twenty degrees.â
âWhat about Swanson? I thought he was going to hang around for the contract-signing business?â
âHoney,â Aces said patiently, âthereâs one thing youâll learn about Swanson. The minute the sun goes down he heads for the nearest bar.â
âAnd where would that be?â
âJust around the corner. You know, the place I told you about. The Golden Slipper.â
I said good night to Sam, warned him to stay away from orange juice and then walked to the Golden Slipper. It was a ritzy little place with an ornate front and a bar that was as dark as the bottom of the River Styx. I signalled the bartender and ordered a martini. Two seconds later I was joined by the Golden Boy himself, flexing and snorting.
âHello, baby,â Swanson laugheddrunkenly. âI hardly recognized you in clothes.â
I smiled half-heartedly. âThanks for the contract, Mr. Swanson.â
âDonât thank me. Thank Sam Aces, the miserable bastard. He brought you in.â
âYou donât like Mr. Aces?â
âThatâs exactly right, sweetie. In fact, I hate his guts.â He took a big gulp of his drink and leaned against the bar for support.
âI donât see how you could feel like that,â I said. âHe seems like such a nice guy.â
Swanson bit hard on his teeth, scowling angrily. âWhy that dirty son-of-aââ He stopped, his eyes narrowing suspiciously. âWhatâs it to you?â He banged for another drink. âYou make a lot of observations for a blonde walk-on with no talent but plenty of chest muscle. Whatâs your name?â
âHoney West.â
âWhereâd you get that handle, in burlesque?â
âItâs on my birth certificate, Mr. Swanson. No middle name. I was never in burlesque.â
He gave me a knowing look. âBaby, you really missed youâre calling.â
âNow youâre making the observations, Mr. Swanson. Why donât you like Sam Aces?â
âYou writing a book?â
âMaybe.â
Television star, Bob Swanson, winner of last yearâs award for best male performer, slugged down his fresh drink, wiped off his mouth with theback of his hand and grinned drunkenly. âOkay, put this in your first chapter, baby. You ever hear of an actor named Herb Nelson?â
âSureââ
âHeâs dead,â Swanson interrupted. âMurdered. You must have read about it in the papers. You want to know who did it? Sam Aces, thatâs who. And heâs going to kill me next. You understand? That is, if I donât get him first!â
âThose are pretty strong words, Mr. Swanson,â I said. âWhy would Sam Aces want to kill Herb Nelson?â
âI donât know.â He answered quickly as if he knew but didnât want to put it into words.
âSecond chapter,â I said, staring at my martini. âWhy do you think he wants to kill you?â
âPower. I got too much power and Aces doesnât like it. Thereâd be no show without me. Aces canât stand it. Heâd like to blow my brains out.â
Bob Swanson talked exactly like the frustrated guy he was supposed to be. Prior to Herb Nelsonâs death Iâd spent several hours digging into the muscle manâs notoriously unspectacular past. He had migrated to TV from motion pictures after a sporadic career as a temperamental child star and an even more-impossible-to-work with postwar jungle hero. From that