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used to spin the ball with a twist of his middle finger and thumb, just as you may see a billiard professional spin a billiard ball. To do this in his manner, it is absolutely necessary not only to have a very large and muscular hand, but to have very lithe and flexible arm muscles, for the arm is moving rapidly while the twist is given, and there must be no antagonistic muscular action. Further, I believe that part of the secret was due to the fact that Stott bowled from a standing position. Given these things, the rest is merely a question of long and assiduous practice. The human mechanism is marvellously adaptable. I have seen Stott throw a cricket ball half across the room with sufficient spin on the ball to make it shoot back to him along the carpet.
    I have mentioned the wind as a factor in obtaining the swerve. It was a head-wind that Stott required. I have seen him, for sport, toss a cricket ball into the teeth of a gale, and make it describe the trajectory of a badly sliced golf-ball. This is why the big pavilion at Ailesworth is set at such a curious angle to the ground. It was built in the winter following Hampdenshire’s second season of first-class cricket, and it was so placed that when the wickets were pitched in a line with it, they might lie south-west and north-east, or in the direction of the prevailing winds.
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    The first time I ever saw Ginger Stott, was on the occasion of the historic encounter with Surrey; Hampdenshire’s second engagement in first-class cricket. The match with Notts, played at Trent Bridge a few days earlier, had not foreshadowed any startling results. The truth of the matter is that Stott had been kept, deliberately, in the background; and as matters turned out his services were only required to finish off Notts’ second innings. Stott was even then a marked man, and the Hampdenshire captain did not wish to advertise his methods too freely before the Surrey match. Neither Archie Findlater, who was captaining the team that year, nor any other person, had the least conception of how unnecessary such a reservation was to prove. In his third year, when Stott had been studied by every English, Australian, and South African batsman of any note, he was still as unplayable as when he made his début in first-class cricket.
    I was reporting the Surrey match for two papers, and in company with poor Wallis interviewed Stott before the first innings.
    His appearance made a great impression on me. I have, of course, met him, and talked with him many times since then, but my most vivid memory of him is the picture recorded in the inadequate professional dressing-room of the old Ailesworth pavilion.
    I have turned up the account of my interview in an old press-cutting book, and I do not know that I can do better than quote that part of it which describes Stott’s personal appearance. I wrote the account on the off chance of being able to get it taken. It was one of my lucky hits. After that match, finished in a single day, my interview afforded copy that any paper would have paid heavily for, and gladly.
    Here is the description:
    “Stott—he is known to every one in Ailesworth as ‘Ginger’ Stott—is a short, thick-set young man, with abnormally long arms that are tanned a rich red up to the elbow. The tan does not, however, obliterate the golden freckles with which arm and face are richly speckled. There is no need to speculate as to the raison d’être of his nickname. The hair of his head, a close, short crop, is a pale russet, and the hair on his hands and arms is a yellower shade of the same colour. ‘Ginger’ is, indeed, a perfectly apt description. He has a square chin and a thin-lipped, determined mouth. His eyes are a clear, but rather light blue, his forehead is good, broad, and high, and he has a well-proportioned head. One might have put him down as an engineer, essentially intelligent, purposeful, and reserved.”
    The description is journalistic, but I do not know that I