black boy.
“Good-bye,” Luther said. “You fix the vases.”
He handed her his armful of roses, glanced impudently at old Mrs. Carraway and grinned—grinned that wide, beautiful, white-toothed grin that made Anne say when she first saw him, “He looks like the jungle.” Grinned, and disappeared in the dark hall, with no shirt on his back.
“Oh,” Anne moaned distressfully, “my ‘Boy on the Block’!”
“Huh!” snorted Mrs. Carraway.
3
——
HOME
W HEN THE BOY CAME BACK , there were bright stickers and tags in strange languages the home folks couldn’t read all over his bags, and on his violin case. They were the marks of customs stations at far-away borders, big hotels in European cities, and steamers that crossed the ocean a long way from Hopkinsville. They made the leather-colored bags and black violin case look very gay and circus-like. They made white people on the train wonder about the brown-skinned young man to whom the baggage belonged. And when he got off at a village station in Missouri, the loafers gathered around in a crowd, staring.
Roy Williams had come home from abroad to visit his folks, his mother and sister and brothers who still remained in the old home town. Roy had been away seven or eight years, wandering the world. He came back very well dressed, but awfully thin. He wasn’t well.
It was this illness that had made Roy come home, really. He had a feeling that he was going to die,and he wanted to see his mother again. This feeling about death had been coming over him gradually for two or three years now. It seemed to him that it must have started in Vienna, that gay but dying city in Central Europe where so many people were hungry, and yet some still had money to buy champagne and caviar and women in the night-clubs where Roy’s orchestra played.
But the glittering curtains of Roy’s jazz were lined with death. It made him sick to see people fainting in the streets of Vienna from hunger, while others stuffed themselves with wine and food. And it made him sad to refuse the young white women trailing behind him when he came home from work late at night, offering their bodies for a little money to buy something to eat.
In Vienna Roy had a room to himself because he wanted to study and keep up his music. He studied under one of the best violin teachers. But it was hard to keep beautiful and hungry women out of his place, who wanted to give themselves to a man who had a job because in turn the man might let them sleep in his room, or toss them a few bills to take home to their starving parents.
“Folks catch hell in Europe,” Roy thought. “I never saw people as hungry as this, not even Negroes at home.”
But it was even worse when the orchestra moved back to Berlin. Behind the apparent solidity of thatgreat city, behind doors where tourists never passed, hunger and pain were beyond understanding. And the police were beating people who protested, or stole, or begged. Yet in the cabaret where Roy played, crowds of folks still spent good gold. They laughed and danced every night and didn’t give a damn about the children sleeping in doorways outside, or the men who built houses of packing boxes, or the women who walked the streets to pick up trade.
It was in Berlin that the sadness weighed most heavily on Roy. And it was there that he began to cough. One night in Prague, he had a hemorrhage. When he got to Paris, his girl friend took care of him, and he got better. But he had all the time, from then on, that feeling that he was going to die. The cough stayed, and the sadness. So he came home to see his mother.
He landed in New York on the day that Hoover drove the veterans out of Washington. He stayed a couple of days in Harlem. Most of his old friends there, musicians and actors, were hungry and out of work. When they saw Roy dressed so well, they asked him for money. And at night women whispered in the streets, “Come here, baby! I want to see you,