already wrote it.â
âI donât care, canât you just call the whole thing off?â
He eyes me suspiciously and I shift in my seat. I maintain eye contact, refusing to be the one who breaks first. Finally, he gives me a wry smile.
âWhy donât I show you what I have and we can go from there?â
I nod slowly. Okay, fine.
âBut my camera is at home. How about we meet here Monday, same time?â
âWhen is the article running?â Iâm surprised, Iâd expected it to run tomorrow.
âOh, well, itâs a write-up of the event but itâs more a spotlight of the charity, so itâll run next Sunday.â
I agree to meet him, then almost laugh out loud at a sudden thought. The reason behind my insistence is a better story than the one heâs trying to protect. I realize then why Cash Murray is a journalist for the society pages. He lacks the nose for hard news.
I pull out my cell phone and call Henry.
âZoe, I had a feeling youâd change your mind. I was headed to Gramercy Tavern. Join me.â
By the time I get there, he is already seated. He has chosen a table in the center of the room with an eye on the door where he can view the comings and goings. He wears a casual Saturday dress shirt with pressed khakis and he flashes me a genuine smile. My heart catches.
âSit, sweetheart. Iâve ordered you wine. How did youspend your morning?â He eyes me keenly over his menu. He means to look nonchalant but how I spend my time is always of utmost interest to him. Sometimes, this irritates me. Today I do something Iâve never done beforeâI omit.
âOh, I spoke with Francesca about last night.â A technical truth.
âAh, and she was thrilled, I imagine?â Henry studies the first courses . I donât know why he bothersâheâll order beef tartare with a single glass of Barolo.
âCompletely thrilled. Thanks for all your help. Last night, the past few weeks.â
Henry had been publicly supportive of the benefit, talking it up in conversations with colleagues and giving statements to the media. Above the menu I can see his eyes, crinkled at the corners. He looks older, somehow, than he did even last night.
âWhy wouldnât I? What matters to you, matters to me. Is that so hard to believe?â He folds the menu and looks at me intently. This is his thing, this intense youâre-the-only-one-in-the-room gaze. Everyone from investors to servicemen are equally charmed by Henry Whittaker. Which is mostly why he can order a bottle-only wine by the glass.
Henry motions to someone across the room and through the rest of lunch I sit silently while Henry discusses businessâmarket dips and tradesâwith anyone who stops by our table. He makes attempts to include me, blathers on about last night, calls me brilliant to his friends. He receives polite nods in return; theyâre used to his posturing when it comes to me. I stay for an hour, enough time to placate him, and then excuse myself. I kiss his cheek and walk myself out.
In the afternoon, I nap. Later, I wander the penthouse as dusk settles, enveloping the apartment in darkness, almost without my realizing it, until suddenly I can barely see. I wander to the great room and flick on a single lamp. I loveour home. You can see every inch of Manhattan, I swear. Iâve spent cumulative hours staring out the windows in each room, down to the street below, where the cars look like toys and the people scurry by, busy as mice.
The building is a converted textile warehouse, prewar, Henry drops in casual conversation. People seem impressed by this. The floors are deep cherry and the moldings are ornately carved. Everything is heavy and big, big, decorated by a man. Twenty-foot ceilings and elaborate archways give way to sleek furnishings with simple lines. The contrast is a designerâs dream, and when I first moved in I explored every corner, ran my