controls. Beneath the mud? He could not determine
what it was. Something batlike and grinning.
He turned the controls back and moved the eye past the shore and into the
jungle. Here was a strange creature which seemed to stretch for miles,
which was, actually, a procession of beasts and birds sequentially
advancing, progressing, and retrogressing from the crutch-creature that
had achieved a total land life. It was many beings making a single being,
flowing out from the other, branching, flowering, sometimes a branch
curving back to enter the sea, a many-bodied many-limbed, many-headed
flow of flesh.
Ramstan reached out to turn the egg slightly, stopping his fingertips
short of it as if he feared that it might burn him or cling to his
flesh and suck him into it. After a few seconds' hesitation, he felt it,
and it was, as always, cool and smooth. But he could feel the squirm of
life and the suddenness and soddenness of death and the tingling of tiny
voltages of tenor and pain and laughter and joy and triumph and despair.
So he sat, turning the ovoid, adjusting the microscope, tracing the slow
spiral of sculpture.
Here was a city, proud and high-waned, about to be destroyed by barbarians
from the mountains, a horde that had wandered for decades over desert and
now coveted the milk and honey, the gold and the jewels, the furniture
and the trinkets, the women and the herds.
Here was another city destroyed only by time. The rains had gone, the
land had dried, the people had died or gone seeking a place where the
soil was wet and black and thick and the skies were wet and cloudy.
A jackalish beast crossed the wide street, now covered with sand, where
victorious armies had once marched down its length, dragging captives
behind chariots piled with loot while the citizens cheered and the band
played loud martial music. Now the only sound was that of the wind through
empty dusty rooms, the hoot of an owl, the hiss of a serpent. Beyond, the
descendants of the refugees pushed their herds across vast steppes, headed
toward a distant land of walled cities, many rivers, and easy pickings.
And here were rockets poised for the first manned leap to another planet,
helmeted figures working around it.
And there was the first starship, and beyond it the first confrontation
of explorers and natives.
And here was a sculpture which had puzzled Ramstan the first three times
ho had studied it. Now he understood that it was composed of symbolic
figures representing the universe, or a universe, collapsing, every
bit of matter from giant red stars to free hydrogen rushing back toward
the point of origin. Beyond that was another easily interpreted figure:
the single primal colossal star exploding. Beyond, stars forming. Beyond,
planets. Beyond, the thick sea with life forming.
And here and here and here were figures that filmed his skin with cold.
In the midst of the life and death of universes was a tiny, often-repeated,
egg-shaped object. Always with it were three hooded figures.
Ramstan understood what their ubiquitous presence meant, or he thought
he understood, but he could not believe it.
The river of birth and death and rebirth spiraled around the egg. But on
its one end was a blank area. Either the sculptors had not lived long enough
to complete their work or they had intentionally left it unfinished. If the
latter, why?
The glyfa could tell him, but it was silent and had been for some time.
Ramstan had taken the glyfa out of the bulkhead-safe, moved it easily to
the table since the a-g units on its ends reduced its 500-kilogram weight
to five grams, and asked it to speak to him. But the voice was still.
Was it mute because it wanted him to study the thousands of sculpturings,
to learn from them something that it could easily tell him but which
he would believe only if be had taught himself? Or