and there fed again. Slowly her shrunken body grew larger, then very large. And then it was night.
Early in the morning, the cricket was gone. As I learned from later examples, when the quiescent cricket was no more than a shell, she had cut it loose. It had dropped to the cellar floor, where any number of living crickets occasionally went leaping by. By any one of them it had been dragged away. Now the spider, engorged, was motionless. She slept with her limbs enfolded slightly—the same half clench of limbs one sees in the bodies of dead spiders—but this was the twilight rest, not the final one. This was the restoration, the interval, the sleep of the exhausted and the triumphant.
I have not yet described the mystery and enterprise for which she lives—the egg sacs and the young spiders. They emerge from their felt balloon and hang on threads near it: a fling, a nebula. Only by putting one’s face very close, and waiting, and not breathing, can one actually see that the crowd is moving. It is motion not at all concerted or even definite but it is motion, and that, compared with no movement at all, is of course everything. And it grows. Perhaps the spiders feel upon the tender hairs of their bodies the cool, damp cellar air, and it is a lure. They want more. They want to find out things. The tiny limbs stretch and shuffle.
Little by little, one or two, then a dozen, begin to drift into a wider constellation—toward the floor or the stair wall—spreading outward even as the universe is said to be spreading toward the next adventure and the next, endlessly.
In six or seven days after their birth, the little spiders are gone. And my attention passes from that opened and shrunken pod to the next below it, which is still secretly ripening, in which the many minuscule bodies are still packed tightly together, like a single thing.
How do they get out of the egg sac? Do they tear it with their fragile limbs? Do they chew it with their unimaginably tiny mouths?
I do not know.
Nor do I know where they all go, though I can imagine the dispersal of thousands into the jaws of the pale, leaping crickets. Certainly only a few of them survive, or we would be awash upon their rippling exertions.
Only once in this space of time, after the bursting of three of the six pods, did I see what was clearly a young spider; many times its original birth size and still no larger than a pencil’s point, it was crawling steadily away through a last hem of the mother web.
This is the moment in an essay when the news culminates and, subtly or bluntly, the moral appears. It is a music to be played with the lightest fingers. All the questions that the spider’s curious life made me ask, I know I can find answered in some book of knowledge, of which there are many. But the palace of knowledge is different from the palace of discovery, in which I am, truly, a Copernicus.
The world is not what I thought, but different, and more! I have seen it with my own eyes!
But a spider? Even that?
Even that.
Our time in this rented house was coming to an end. For days I considered what to do with the heroine of this story and her enterprise, or if I should do anything at all. The owners of the house were to return soon; no reason to think they would not immediately sweep her away. And, in fact, we had ordered a housecleaning directly following our departure. Should I attempt to remove her, therefore? And if so, to what place? To the dropping temperatures of the yard, where surely she could not last out the coming winter? To another basement corner? But would the crickets be there? Would the shy male spider find her? Could I move the egg sacs without harming them, and the web intact, to hold them?
Finally, I did nothing. I simply was not able to risk wrecking her world, and I could see no possible way I could move the whole kingdom. So I left her with the only thing I could—the certainty of a little more time. For our explicit and stern instructions