The Subterraneans Read Online Free Page A

The Subterraneans
Book: The Subterraneans Read Online Free
Author: Jack Kerouac
Pages:
Go to
dead for birth of her—unknown Cherokee-halfbreed father a hobo who’d come throwing torn shoes across gray plains of fall in black sombrero and pink scarf squatting by hotdog fires casting Tokay empties into the night “Yaa Calexico!”
    Quick to plunge, bite, put the light out, hide my face in shame, make love to her tremendously because of lack of love for a year almost and the need pushing me down—our little agreements in the dark, the really should-not-be-tolds—for it was she who later said “Men are so crazy, they want the essence, the woman is the essence, there it is right in their hands but they rush off erecting big abstract constructions.”—“You mean they should just stay home with the essence, that is lie under a tree all day with the woman but Mardou that’s an old idea of mine, a lovely idea, I never heard it better expressed and never dreamed.”—“Instead they rush off and have big wars and consider women as prizes instead of human beings, well man I may be in the middle of all this shit but I certainly don’t want any part of it” (in her sweet cultured hip tones of new generation).—Andso having had the essence of her love now I erect big word constructions and thereby betray it really—telling tales of every gossip sheet the washline of the world—and hers, ours, in all the two months of our love (I thought) only once-washed as she being a lonely subterranean spent mooningdays and would go to the laundry with them but suddenly it’s dank late afternoon and too late and the sheets are gray, lovely to me—because soft.—But I cannot in this confession betray the innermosts, the thighs, what the thighs contain—and yet why write?—the thighs contain the essence—yet tho there I should stay and from there I came and’ll eventually return, still I have to rush off and construct construct—for nothing—for Baudelaire poems—
    Never did she use the word love, even that first moment after our wild dance when I carried her still on my lap and hanging clear to the bed and slowly dumped her, suffered to find her, which she loved, and being unsexual in her entire life (except for the first 15-year-old conjugality which for some reason consummated her and never since) (0 the pain of telling these secrets which are so necessary to tell, or why write or live) now
“casus in eventu est”
but glad to have me losing my mind in the slight way egomaniacally I might on a few beers.—Lying then in the dark, soft, tentacled, waiting, till sleep—so in the morning I wake from the scream of beermares and see beside me the Negro woman with parted lips sleeping, and little bits of white pillow stuffing in her black hair, feel almost revulsion, realize what a beast I am for feeling anything near it, grape little sweet-body naked on the restless sheets of the nightbefore excitement, the noise in Heavenly Lane sneaking in through the gray window, a gray doomsday in August so I feel like leaving at once to get “back to my work” the chimera of not the chimera but the orderly advancing sense of work and duty which I had worked up and developed at home (in South City) humble as it is, the comforts there too, the solitude which I wanted and nowcan’t stand.—I got up and began to dress, apologize, she lay like a little mummy in the sheet and cast the serious brown eyes on me, like eyes of Indian watchfulness in a wood, like with the brown lashes suddenly rising with black lashes to reveal sudden fantastic whites of eye with the brown glittering iris center, the seriousness of her face accentuated by the slightly Mongoloid as if of a boxer nose and the cheeks puffed a little from sleep, like the face on a beautiful porphyry mask found long ago and Aztecan.—“But why do you have to rush off so fast, as though almost hysterical or worried?”—“Well I do I have work to do and I have to straighten out—hangover—” and she barely awake, so I sneak out with a few words in fact when she lapses
Go to

Readers choose

Christopher J. Thomasson

Matt Christopher

Anna Park

Tim Severin

Michael Innes

Greg Rucka