and collapsed in his chair, wiped out by disappointment. Apparently Iâd forgotten just how exhausting young love can be. To make matters worse, I was in horrible, unfeeling mother mode â squelching Joshâs attempt to reopen the discussion of climbing Half Dome with Lexie and reminding Zach not to feed Raider, our aging German shepherd, under the table for approximately the ten thousandth time. Mom, the perennial spoilsport.
âHey,â I said. âDelicious paella, Michael. And we got an interesting package in the mail today. Josh, would you go get it?â Josh had regained some small measure of energy simply by shoveling in three generous servings of paella. Marginally restored, he went over to the sideboard and brought the double-framed pictures Phoebe had sent and put them in front of Michael.
âWho do you see, Dad?â he asked.
âGrandma Alma,â he said without hesitation. âButâ¦whoâs this?â
âWho does it look like?â
Michael looked at the photo of Victoria and lookedacross the table at me. âItâs Mom,â he said. He put the frame down and picked up his glass of wine. âPretty slick Photoshopping. You look like somebody out of the nineteenth century.â
âWrong, as usual,â snapped Josh, rejuvenated by the opportunity to correct a grown-up.
Michael looked at the photo and back at me. âWell, Annie Oakley â if itâs not some touched-up version of you on the horse, who is it?â
âThat,â I said, âis exactly what Iâd like to know. And,â I said, swirling the last of the light Spanish red around in my glass, âthatâs why I want us to go to Oxford to visit the Cardworthy Henhouse Museum.â
Michael did his eyebrow-raising trick. âOh, tell me more. Just donât tell me I have to show up at one of those football games in a blue blazer and rep tie.â
âYou do, and you will,â I said. âAnd just FYI, since both you and Josh keep throwing Annie Oakley into the discussion, Iâd like to point out that she came from a different generation than my great-great-great-grandmother. Victoria was born in 1841, Annie Oakley was born nearly twenty years later â 1860, I believe.â
Silence fell around the table. âMom,â said Zach in a stage whisper. âI think youâre being a know-it-all again.â
CHAPTER 6 CHAPTER 6
MAGGIE MAGGIE
SMALL TOWN OFFICE, SAN FRANCISCO
       âIt [California] is the land where the fabled Aladdinâs Lamp lies buried and she [San Francisco] is the new Aladdin who shall seize it from its obscurity and summon the genie and command him to crown her with power and greatness and bring to her feet the hoarded treasures of the earth.â
â Mark Twain
Hoyt runs a damn fine story meeting at Small Town. For a man whoâs soft-spoken, who still rises when a woman enters the room, and who reminds me of my motherâs family, with that leisurely Mississippi (pronounced âMiâ-sip-eeâ by the natives) drawl that sounds like a gentle waltz around colloquial Southern English, there is no nonsense at Hoytâs core. The trains run on time, and so do the writers, designers, copyeditors, and a small, rotating army of freelance photographers and illustrators. All thanks to Hoyt, who is unshakably polite and indisputably no-nonsense. Iâm the editor-in-chief, but without Hoytâs shepherding, nagging, and constantsurveillance, nothing substantive would get done.
It was the usual suspects around the table: Andrea âStarchyâ Storch, New Englandâs preppy gift to journalism, who did features and covered film and theater; designer Linda Quoc, dressed, as always, head to toe in black; Puck Morris, scourge of the music beat; and a couple of eager-beaver young writers who represented the sensibility of youth. They managed the online content of Small Town and