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The Sound of His Horn
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was a great shock to me. It was the first time in my life that my body had refused to do something I demanded of it, and the revolt demoralised me. Instead of studying to economise my strength I perversely over-drove myself. And it's no wonder, I suppose, if I got off my course. I had to steer due north, but time and again I came to deep gulleys and ravines that made me wander far off to one side or the other, looking for easy crossing-places; sometimes I saw a light in a clearing and still had determination and courage enough to make a painful detour instead of groping straight towards it and giving myself up.
    My memory became confused; the clearings were the only things I had to check my course and progress by and I could not remember how many I had passed or identify them on the map. I used up all my matches trying to study the thing, but I was in such a state of exhaustion and distress that I could scarcely read, let alone reason.
    At length, I came into a sandy track on which the moonlight fell clear and strong. It ran somewhat east of north, but the smooth straight way and the light, after the roughness of the dark forest, were such a temptation to me that I could not resist following it. There were wagon-ruts and hoofmarks in the sand. I supposed the track must lead to a farm, but I was beyond caring. I trudged straight along it.
    Little by little, I remember, my mind became calmer, and no doubt because of the easier going, and the regular rhythm that was possible, I fell into a kind of automatic action. I began the old, childish trick of repeating something to myself to keep time with my footfalls: meaningless phrases at first, and then, verses. You know the ballad of the Nut Brown Maid? Four lines of that went thump, thump, thump, through my brain, like the dull beat of an engine carrying me on God knows how many miles:
    "For an Outlaw this is the law,
    That men him take and bind,
    And hanged be without pitee,
    To waver with the wind."
    It's still a wonder to me that under the mechanical, syllabic pounding I made of the verses I did think of the sense sometimes, and I felt a queer, new pathos in them. That coupling of outlawry and pity: I had never thought of that before. The man who wrote that ballad knew that outlaws weren't romantic heroes, all they wanted was pity. Ah, the great cruelty of outlawry in shutting the gates of common men's pity against you.
    Had that narrow track led me to a farm, I think I would have leant with my head upon the door and begged for the peasants' pity; but it led to no human habitation.
    After a very long time, I felt the dark walls of the forest recede from me. I stopped and became aware that my track had led me up on to a low wide ridge, bare of trees, covered with coarse grass as high as my knees. I have often wondered how much of that scene I really saw that night. I can say what I later knew to be there--or thought I knew. I know exactly how it looked to the eyes I had on the other side--if you understand me--but I'd give anything to be able to recollect precisely what I saw with my real vision--the vision I'm using now. The trouble is, I suppose, that I had been going gradually round the bend all that night. The fatigue and anxiety had found out my flaw and were extending it all the time, until, just about when I reached that open ridge the fissure in my mind was complete. When the earth is opening under you, what decides which side you jump to?
    The moonlight seemed bright enough. I thought I saw a long, grassy hog's-back running north-west and south-east. The grass was ungrazed and untrodden, grey under the moon with the white grass-flowers seeming to make a milky shimmer over it. My track had faded away. It occurred to me, I know, that for some time past I had not been following the wagon-ruts, but where they had turned off I could not recall.
    I must have advanced to the middle of that broad open ride--fire-lane, or whatever it was--before I stopped, because I could see the
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