have seen, and still this had obviously gotten to him. Maybe because it was personal, Wendy thought. Because it had happened to a friend.
âWho could ever do this to Jilly?â he said. âWho could hate her that much?â
His last few words were drowned in a general hubbub of disbelief and concern. Wendy glanced at Isabelle and saw the pained look on the artistâs face. They were all upset, but Isabelle, whoâd lost most of her paintings in a fire years ago, was the one who knew better than any of them just how devastating this would be for Jilly.
âThis is connected, isnât it?â Sophie said. âTo the hit-and-run.â
Lou turned to her. âWhat makes you say that?â
âI can see it in your face.â
âYou think someone ran her down deliberately?â Meran asked. Her voice echoed the shock they were all feeling.
No, Wendy thought. That couldnât be true. It was just too awful to contemplate.
âUntil we find the driver,â Lou said, âitâs impossible to say.â Then he sighed. âBut it doesnât feel right to me. First the car, now this business with her studio. The incidents are just too close to each other to feel like a coincidence.â
âBut youâre talking about someone actually trying to kill her,â Saskia said.
Angel shook her head. âNo, they want to erase her. Her and her work ⦠To make it be like she never existed.â
âI donât believe it,â the professor said.
He took off his glasses and gave them a brief cleaning they didnât need before putting them back on, his gaze fixed on Louâs grave features.
âNo, it canât be true,â Cassie said. âHow could it be true?â
Lou just gave them all a tired look.
âDoes she have enemies that any of you know about?â he asked.
There was a long moment of silence.
âThis is Jilly youâre talking about,â Sophie said.
âI doubt sheâs ever hurt anyone in her life,â Meran added.
âCertainly not deliberately,â Lou agreed.
On the other couch, Christy nodded. âWhich would mean youâre looking for someone with an intense dislike for the relentlessly cheerful.â
That woke faint smiles throughout the room, but they didnât last long as Jillyâs friends considered the idea of someone hating her so much that they would want to cause her this much pain. Enough so that they would destroy her lifeâs work and deliberately run her down with a car.
âJust think about it,â Lou said. âKeep your eyes and ears open. And if you think of anything that could help us, if you hear or see anything, call me. I donât care what time of the day or night it might be.â
7
Once upon a time â¦
I open my eyes and I canât move. Itâs not just because of the casts on my left arm and right leg. Thereâs no feeling under the leg cast. Thereâs no feeling in my right arm either. That whole side of my body is paralyzed and numb. Itâs so weird. I can feel the fabric of my hospital gown and the bedclothes against my skinâbut only on the left side. On the right, thereâs nothing. I can move my head, stiffly, with an effort, my left leg, the arm in the cast, though that sends a shiver of pain through me.
I remember how it was before, when Sophie was looking down at me. I couldnât move then either. Now I know why. I remember the car and the impact.
Thereâs no one in the room with me, but I can hear voices from nearby.
I look down at my useless right arm, my hand, my drawing hand, willing it to move. I canât even feel it.
There are lots of fairy tales. I remember the professor telling me once how people need to be storied to get over their fears. We were talking about the elements of fairy tales and their relevance to the World As It Is, the here and now in which we all live. It was just the three of