hours camped outside of Amelia’s bedroom window
with a folding chair and a notebook, and together, through the screen, the girls would
write plays with titles like
Amelia and Sheila Save the Day
and
Amelia and Sheila Save the Day Again
. On summer nights, they gave performances on the concrete patio of Amelia’s yard
and all the adults would line up folding lawn chairs in the grass: clapping awkwardly,
making stiff chitchat during intermission. When Amelia was eleven, her family moved
back to Miami. “Well, that’s the way it goes, honey,” Sheila’s father had said. “That’s
life.” This had seemed an unnecessarily heartless assessment of the situation, but
it was true. She and Amelia wrote letters for the first few months, but before long,
they fell out of the habit.
It was only after a week of eating lunch in front of her locker freshman year, dodging
hall monitors, that Sheila attempted to stake out a more modest seat in the cafeteria.
She had sat down at the other end of a safe-looking, half-populated Large Caf table
and busied herself taking her sandwich and drink out of her paper bag, looking as
extraordinarily preoccupied with it all as possible, when she heard the boy at the
other end of the table say, “It’s Sheila Gower, right?”
Sheila looked up from her sandwich slowly. It was always a shock to hear people you
didn’t know say your name. It made you wonder what else they knew.
“Yes,” Sheila admitted.
“You’re in my English class,” the boy said.
He looked familiar. For a moment the words
pig
and
toenail
inexplicably flashed into her brain; she heard the words in tandem as a half-chant,
a whisper. “Second period, Mr. Clemmont?” she asked.
“That’s the one,” said the boy. “I’m Anthony.”
“Anthony what?”
“Pignatelli.”
Pig Toenail.
Tony Pig Toenail
. That’s how some of the other boys in her English class referred to him. But the
name sounded different the way he said it.
Anthony seemed to see that this is what she was thinking because he said, “The ‘G’
is silent.”
“Okay,” Sheila said. “Is that like Spanish?”
“Italian,” he said. “The ‘G’ is fucking silent anytime it comes before an ‘N.’”
“Sure,” Sheila said. “Cool.” She nodded, but in her brain a neat row of pink toes
persisted, nails pointed uniformly, dangerously in one direction. She stabbed her
straw into the mouth of her juice box and gulped furiously.
“Wait,” said Anthony, “Didn’t you used to sit in the Small Caf?”
“Briefly,” said Sheila. “But it turns out I don’t have an eating disorder, so it’s
not really my crowd.”
Anthony smiled. “You like the stuff we’re reading in English?”
There had been a lot about disembodied hearts all that year. The hideous telltale
variety, noisily thumping through the floorboards of a murderer’s home. Then, there
was the way some poet’s heart was stolen during the cremation of his drowned body,
and how his wife wrapped the damaged organ in a poem, like a piece of meat in butcher
paper, and placed it in a drawer of her desk for thirty years. The point of everything
they read—even freshman year—seemed to be about how life was short and everyone should
just sleep together before they all died.
“You mean all that gather-ye-rosebuds crap?” Sheila asked.
It wasn’t crap, not really. It was fascinating to conjure one’s death and imagine
life to be so brief a glint of a thing that all it made sense to do was grab hold
of the closest breathing body and not let go. “I think Mr. Clemmont is maybe a little
too invested in this unit,” Sheila said finally.
Anthony was laughing. “Definitely,” he said. “The guy is like obsessed with sex. If
I have to ‘unpack’ one more metaphor about virgins and coy mistresses this semester
I’m going to vomit.”
“Second period is way too early for unpacking virgins,” Sheila