eyed us. The men were in suits, Patrickâs tie particularly loud â and everyone looked smart compared to the drab surround. Cynth was beautiful â I mean, she was beautiful anyway, even without love beaming through every inch of her, but in her white minidress, a simple white pill-Âbox hat, and a pair of white shoes, given her by the manager, Connie, as a wedding present, she was radiant. She had a necklace of blue flowers made from ceramic, and two small pearls in her ears, so perfect and round, as if the oysters had made them especially for her.
Patrick, an aspiring photographer and a bus driver on the 22, was in charge of capturing us all. I still have some of those snaps. A fountain of rice caught mid-Âair, white rain upon Sam and Cynthâs laughing faces as they stand on the registry steps, their two hands lifted together as the grains cascade.
In marriage, at least, Cynth had triumphed. It was never going to be simple for us to find our way, and Cynth should have had a shoe empire by then, she was that good. It was not easy to sell shoes in Clapham High Street in 1967 as a Trinidadian girl. It was probably easier to write a poem about Trinidadâs flowers, send it to the British Consul and be rewarded with a prize. But at least she had Sam, and they had rubbed off well on each other â he serious and shy, she resourceful and determined â how her presence illuminated him as he signed his name in the register!
We went back to Sam and Patrickâs flat in black cabs, and told the taxi men that our friends had just got married. The drivers rolled down their windows and played the blues on the same radio station in concert, so loud we were terrified weâd get arrested for breaking the peace. Back in the flat, we lifted tea towels euphorically from sandwiches, found bottle openers, corkscrews, put a record on, and watched as they cut the white domed cake that Cynth had laced with rum.
After a Âcouple of hours, other Âpeople turned up â friends of friends. Barbara had summoned up a gaggle of hip-Âlooking folk, girls with long hair and short dresses, fellers in open-Ânecked shirts, who looked like they needed a shave. I only glanced at them; I had long told myself those Âpeople were not for me and neither me for them. My back was damp with sweat and the ceiling seemed lower than it had been an hour ago. A Âcouple of Barbaraâs gang fell into a table, and a little red lamp with tassels tumbled to the floor. Though Iâd never smoked it myself, I could smell the marijuana.
When the room was full, the mood was high and Cynth had drunk three Dubonnets and lemonade too many, she lifted the needle off the record player and announced, âMy friend Delly is a poet and she wrote a poem about love.â There was a cheer. âAnd she goinâ to read it now.â
âCynthia Morley, no ,â I hissed. âJust âcos you now a married woman, you canât boss me around.â
âWham now, Delly?â called Sam. âWhy you keeping yourself so secret?â
âCome on, Delly. For me,â said Cynth, to my horror drawing out the poem from her handbag as another, yet more unstable cheer rippled around the fuggy room. When I had finally showed it to her a week ago, like a schoolgirl walking the long route to the teacherâs desk, she had read it in silence and then put her arms around me tight, whispering, Good Lord, Delly, you are truly blessed.
âIt a very good poem, Delly,â she said now, as she thrust it in my hands. âCome on, show these Âpeople what you got.â
So I did it. A little wobbly from my own Dubonnet, I glanced up only once at all the faces, small moons stopped for nothing else but me. I read my poem about love from the paper, although I knew it off by heart. My words made the room fall silent. And when I finished, there was more silence, and I waited for Cynth, but even she didnât seem able