They arrange to be elsewhere
when they see that Madame Blanche approaches! But
please tell Poirot immédiatement: what is the
matter?”
“THREE MURDERS ARE THE matter,” I said. “And all
three of them like nothing I’ve seen before. Two
women and one man. Each one in a different room.”
Of course, I had encountered violent death before
many times—I had been with Scotland Yard for
nearly two years, and a policeman for five—but most
murders had about them an obvious appearance of
lost control: somebody had lashed out in a fit of
temper, or had one tipple too many and blown his top.
This business at the Bloxham was very different.
Whoever had killed three times at the hotel had
planned ahead—for months, I guessed. Each of his
crime scenes was a work of macabre art with a
hidden meaning that I could not decipher. It terrified
me to think that this time I was not up against a
chaotic ruffian of the sort I was used to, but perhaps a
cold, meticulous mind that would not allow itself to
be defeated.
I was no doubt being overly gloomy about it, but I
couldn’t shake my feelings of foreboding. Three
matching corpses: the very idea made me shudder. I
told myself I must not develop a phobia; I had rather
to treat this case as I would any other, no matter how
different it seemed on the surface.
“Each of the three murders in a different room in
the same house?” Poirot asked.
“No, at the Bloxham Hotel. Up Piccadilly Circus
way. I don’t suppose you know it?”
“ Non. ”
“I had never been inside it before tonight. It’s not
the sort of place a chap like me would think to go. It’s
palatial.”
Poirot was sitting with his back very straight.
“Three murders, in the same hotel and each in a
different room?” he said.
“Yes, and all committed earlier in the evening
within a short space of time.”
“This evening? And yet you are here. Why are you
not at the hotel? The killer, he is apprehended
already?”
“No such luck, I’m afraid. No, I . . .” I stopped and
cleared my throat. Reporting the facts of the case was
straightforward enough, but I had no wish to explain
to Poirot how my mood had been affected by what I
had seen, or to tell him that I had been at the Bloxham
for no more than five minutes before I succumbed to
the powerful urge to leave.
The way all three had been laid out on their
backs so formally: arms by their sides, palms of
their hands touching the floor, legs together . . .
Laying out the dead. The phrase forced its way
into my mind, accompanied by a vision of a dark
room from many years ago—a room I had been
compelled to enter as a young child, and had been
refusing to enter in my imagination ever since. I fully
intended to carry on refusing for the rest of my life.
Lifeless hands, palms facing downward.
“Hold his hand, Edward.”
“Don’t worry, there are plenty of police crawling
about the place,” I said quickly and loudly, to banish
the unwelcome vision. “Tomorrow morning is soon
enough for me to go back.” Seeing that he was waiting
for a fuller answer, I added, “I had to clear my head.
Frankly, I’ve never seen anything as peculiar as these
three murders in all my life.”
“In what way peculiar?”
“Each of the victims had something in his or her
mouth—the same thing.”
“ Non. ” Poirot wagged his finger at me. “This is
not possible, mon ami . The same thing cannot be
inside three different mouths at the same time.”
“Three separate things, all identical,” I clarified.
“Three cufflinks, solid gold from the look of them.
Monogrammed. Same initials on all three: PIJ.
Poirot? Are you all right? You look—”
“ Mon Dieu! ” He had risen to his feet and begun to
pace around the room. “You do not see what this
means, mon ami . No, you do not see it at all, because
you have not heard the story of my encounter with
Mademoiselle Jennie. Quickly I must tell you what
happened