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The Mistress's Daughter
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manner that leaves me wanting to tell her less, wanting her to know nothing.
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    She tells me that she never got along well with her stepfather and that her mother was cold and cruel. I feel that there’s more to the story than she’s telling me. I get the sense that something was happening at home involving the stepfather, and that the mother knew and blamed her for it—which would also explain the animosity between them and why Ellen, as a teen, was propelled into the arms of a much older, married man. I never ask her the question directly. It seems intrusive; her need to protect herself is stronger than my need to know. There is an odd and anxious unknowing to much of what she says that makes it difficult to get the story straight. She reminds me of Tennessee Williams’s Blanche DuBois, moving from person to person, desperate to get something, to find relief from unrelievable pain. Her lack of sophistication leaves me unsure whether she’s of limited intelligence or simply shockingly naive.
    â€œDid you think of having an abortion?”
    â€œThe thought never occurred to me. I couldn’t have.”
    Pregnancy, I gather, was the perfect way out of her mother’s house and into my father’s life. It must have seemed like a good idea, until my father refused to leave his wife. He tried. He sent Ellen to Florida saying he’d join her there—and never showed up. Three months later, homesick, she returned to Washington. They got an apartment together; for four days, he lived with Ellen. Then he went back, claiming that “his children missed him.” Ellen had him arrested under an old Maryland ordinance for desertion. At the time his wife was also pregnant, with a boy who was born three months before I was.
    â€œAt one point he told me to meet him at his lawyer’s office,” she says, “so we could figure out a way to ‘take care of everything.’ I sat down with him and his lawyer and the lawyer drew a diagram and said, ‘There’s a pie and there are only so many slices of the pie and that’s all there is and it’s got to go around.’ ‘I am not a slice of pie,’ I said, and walked out. I have never been so angry in my life. Slices of pie. I told my friend Esther I was expecting a baby and didn’t know what to do. She told me she knew someone who wanted to adopt a baby. I told her the baby must go to a Jewish family who would treat her well. I referred to you as ‘the baby.’ I didn’t know if you were a boy or a girl. I couldn’t take care of you myself—young ladies didn’t have babies on their own.”
    She interrupts herself. “Do you think, one day, we might have a portrait painted of the two of us?” Her request seems to come from another world, another life. What would she do with a portrait? Hang it over her fireplace in Atlantic City? Send it to my father for Christmas? She is in stopped time, filled with fantasies of what might have been. After thirty-one years, she has returned to reclaim the life she never had.
    â€œI have to go, I’m late for dinner,” I say.
    â€œOkay,” she says. “but before you go out, put on your cashmere sweater so you don’t get chilly.”
    I don’t have a cashmere sweater.
    â€œWhen can I see you?” she starts again.
    â€œEllen, this is all new for me. You might have thought about it for a long time before you contacted me, but for me it’s only a couple of weeks. I need to take things slowly. We’ll talk again soon.” I hang up. The sweater is Ellen’s fantasy, an image of an experience that is not my own, but one that has meaning, import elsewhere—in her past.
    I am losing myself. On the street I see people who look alike—families where each face is a nuanced version of the other. I watch how they stand, how they walk and talk, variations on a theme.
    A few days later, I try Ellen
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