captain put the four powerful jet engines into reverse thrust.
Now as they unstrapped and began to reach for their coats in the overhead compartment, Nicholas watched Tomkin. Something had happened to him since he had first made his vow. In coming to learn about Raphael Tomkin, in gaining his trust and, thus, his friendship—a gift the industrialist did not give often—Nicholas had come to see him for what he really was.
And it was clear that he was not the ogre that his daughters, Justine and Gelda, were convinced he was. In the beginning he had sought to communicate this new aspect of Tomkin to Justine, but these discussions inevitably ended in bitter fights and at length he gave up trying to convince her of her father’s love for her. Too much bad blood had gone on between them for her ever to change her mind about him. She thought he was monstrous.
And in one way at least she was correct, Nicholas thought as they walked off the plane. Though increasingly it had become more difficult for him to believe that Tomkin was capable of murder. Certainly no man in his position got there by turning the other cheek to his enemies or those whom he had to climb over. Broken careers, bankruptcies, the dissolutions of marriages, this was the detritus that such a man as Raphael Tomkin must leave behind him in his wake.
He was smart and most assuredly ruthless. He had done things that Nicholas could never even have contemplated. And yet these seemed a long way from ordering a death in cold blood, a life snuffed out with Olympian disdain. His genuine love for his daughters should have precluded such a psychotic decision.
Yet all the evidence Croaker had unearthed had led directly back to Raphael Tomkin summoning his bodyguard and authorizing him to end Angela Didion’s life. Why? What spark had ignited him to do such a desperate thing?
Nicholas still did not know, but he meant to find out before he meted out his revenge on this powerful and complex man. Perhaps this quest for knowledge would delay the time of his vengeance, but that had no real meaning for him. He had taken in with his mother’s milk the concept of infinite patience. Time was as the wind to him, passing unseen in a continuous stream, secrets held within its web, enactment inevitable but coming only at the propitious moment, as Musashi wrote, Crossing at a Ford.
Thus he had set for himself the task of first coming to understand his enemy, Raphael Tomkin, to peer into every nook and cranny of his life, stripping away flesh and bone until at length the soul of the man lay revealed to him. Because only in understanding the why of the murder could Nicholas find salvation for himself for what he himself must eventually do.
If he should fail to understand Tomkin, if he should rashly hurl himself down the narrow bloodied path of vengeance, he would be no better than his enemy. He could not do such a thing. His cousin, Saigō, had known just that about Nicholas and, using it, had caused the death of Nicholas’ friends. For mad Saigō had no such compunctions concerning murder. He had learned how to destroy life through Kan-aku na ninjutsu and, later, through the feared Kōbudera. But somewhere along the line the forces he was attempting to tame had taken him over, using him for their own evil designs. Saigō had possessed the power only to become possessed by it. In the end he had been too weak of spirit and it had driven him mad.
Nicholas took a deep breath and shook his head to clear his mind of the past. Saigō was a year dead.
But he was back in Japan and so the past had begun to crowd in on him like a host of kami chittering in his ear, all clamoring for attention at once. So many memories, so many sensations. Cheong; the Colonel; Itami, his aunt, whom he knew he must eventually see. And always Yukio, sad doomed Yukio. Beautiful Yukio stunning his adolescent mind when they had first met at the keiretsu party. The first contact between them had been electric with