waits for her pulse to settle and listens. She begins to detect the soft murmur of Uncle Harm’s voice and beneath it … something else. She frowns, unable to place the sound. It is a kind of humming, more felt than heard. It stirs the blood. She remembers the sound from earlier in the day, and her father’s fear.
When it comes to sneaking through the house, Vesper knows all of the tricks. Squeaky boards are avoided, obstacles skillfully stepped around or over. Her door is opened just enough, so slow as to be silent. Soon she creeps past her parents’ room.
‘Ssh,’ says her uncle.
Vesper freezes, panic gripped until she realises that the voice is not directed at her.
‘It was just a dream. I’m right here. Vesper’s asleep next door. We’re all okay … Ssh … Go back to sleep.’
Against all reason, Vesper risks a glance inside. Uncle Harm lies beside her father, propped up on an elbow, stroking his brow. Her father’s eyes are closed and Vesper relaxes a little.
As her father drifts back into sleep, tension falls away, making him appear suddenly younger. Not young, Vesper decides, but not as old as he looks in the day.
She doesn’t stop to wonder if her uncle is lying or simply unaware, and moves quickly downstairs, determined to do something to help.
Since her previous visit to the storeroom, boxes have been stacked in front of the door, blocking it. Young arms struggle with the weight and she is forced to place them heavily. She winces as each one clunks against the floor, waiting for the tell-tale sounds of her father or uncle being disturbed.
But upstairs, all is quiet.
Sweating, she removes the last obstacle and goes inside. The room is small, more a glorified cupboard than living space. Junk is stacked messily on top of boxes. Vesper begins to pull things down. She is often distracted. An old rubber lung catches her eye. She squeezes it and it sighs for her. The sound is comforting. She sniffs it, enjoying the faint tang. There are other things, half-finished carvings that her father has abandoned. One is of a smiling knight with bulging muscles. Most are of a woman, vague shapes never fully realised.
When she lifts the first box clear the humming gets fractionally louder.
Excitement and youth make quick work of the pile. Boxes are dumped behind her, scattering across the kitchen floor, haphazard. Without them, the storeroom looks spacious.
Vesper frowns, listens again. She searches the corners, now accessible, finding only dust-heavy webs, long vacated.
Nothing. The storeroom is empty.
As quickly as it came, excitement vanishes. Vesper hangs her head. But humming persists, not imagined, invisible. She feels it through her feet. With a vengeance, excitement returns. Vesper presses her cheek flat on the floor and sees a board not quite aligned with the others. Fingers work the edge, teasing it up until purchase can be found. She lifts the board and sees space underneath. She lifts two more, revealing a shallow hole lined in trembling plastic. She dares to touch it, feels the humming through her fingers.
More carefully now, reverent, she pulls it back to reveal a long dusty box and a pair of old boots. The boots release a heady musk, mixing damp, old sweat, and other less savoury things. Vesper pulls them on anyway. She tries walking in them, imagining herself as a mysterious traveller. But boots soon fall from little feet, one thump, then another. They remain upright, stiff from experience.
The box is heavy and Vesper struggles to lift it out. Twice it slips out of her fingers, sliding back into the hole at an angle. She does not try a third time, instead leaning into the hole and flipping the catch. The lid creaks as it opens, protesting. A cloud of dust puffs out, demanding its tribute of coughs. Vesper obliges, once, twice, thrice.
An old coat has been used to pack the box. Vesper takes it out. The fabric is worn but tough, reassuring. The coat has been stitched together in places.