The Love of a Good Woman Read Online Free Page A

knife and fork up and down and yelling, “Want some service. Want some service.”
    He got that from their father, who did it for a joke.
    Bud passed by his brother’s chair and said quietly, “Look. She’s putting lumps in the mashed potatoes again.”
    He had his brother convinced that lumps were something you added, like raisins to rice pudding, from a supply in the cupboard.
    His brother stopped chanting and began complaining.
    “I won’t eat none if she puts in lumps. Mama, I won’t eat none if she puts lumps.”
    “Oh, don’t be silly,” Bud’s mother said. She was frying apple slices and onion rings with the pork chops. “Quit whining like a baby.”
    “It was Bud got him started,” the older sister said. “Bud went and told him she was putting lumps in. Bud always tells him that and he doesn’t know any better.”
    “Bud ought to get his face smashed,” said Doris, the sister who was mashing the potatoes. She didn’t always say such things idly—she had once left a claw scar down the side of Bud’s cheek.
    Bud went over to the dresser, where there was a rhubarb piecooling. He took a fork and began carefully, secretly prying at it, letting out delicious steam, a delicate smell of cinnamon. He was trying to open one of the vents in the top of it so that he could get a taste of the filling. His brother saw what he was doing but was too scared to say anything. His brother was spoiled and was defended by his sisters all the time—Bud was the only person in the house he respected.
    “Want some service,” he repeated, speaking now in a thoughtful undertone.
    Doris came over to the dresser to get the bowl for the mashed potatoes. Bud made an incautious movement, and part of the top crust caved in.
    “So now he’s wrecking the pie,” Doris said. “Mama—he’s wrecking your pie.”
    “Shut your damn mouth,” Bud said.
    “Leave that pie alone,” said Bud’s mother with a practiced, almost serene severity. “Stop swearing. Stop tattle-telling. Grow up.”
    J IMMY Box sat down to dinner at a crowded table. He and his father and his mother and his four-year-old and six-year-old sisters lived in his grandmother’s house with his grandmother and his great-aunt Mary and his bachelor uncle. His father had a bicycle-repair shop in the shed behind the house, and his mother worked in Honeker’s Department Store.
    Jimmy’s father was crippled—the result of a polio attack when he was twenty-two years old. He walked bent forward from the hips, using a cane. This didn’t show so much when he was working in the shop, because such work often means being bent over anyway. When he walked along the street he did look very strange, but nobody called him names or did an imitation of him. He had once been a notable hockey player and baseball player forthe town, and some of the grace and valor of the past still hung around him, putting his present state into perspective, so that it could be seen as a phase (though a final one). He helped this perception along by cracking silly jokes and taking an optimistic tone, denying the pain that showed in his sunken eyes and kept him awake many nights. And, unlike Cece Ferns’s father, he didn’t change his tune when he came into his own house.
    But, of course, it wasn’t his own house. His wife had married him after he was crippled, though she had got engaged to him before, and it seemed the natural thing to do to move in with her mother, so that the mother could look after any children who came along while the wife went on working at her job. It seemed the natural thing to the wife’s mother as well, to take on another family—just as it seemed natural that her sister Mary should move in with the rest of them when her eyesight failed, and that her son Fred, who was extraordinarily shy, should continue to live at home unless he found some place he liked better. This was a family who accepted burdens of one kind or another with even less fuss than they accepted the