outline of the steel casket that hung by a chain round my neck, hidden beneath my doublet and shirt. The thing was some nine inches long. A key secured it, sliding into a lock under the brass head of a cupid. Its surfaces were polished smooth by long concealment, close against my skin. That casket weighed on me, a precious burden, delicious but dangerous, and unutterably secret.
Martin, who stood behind my chair to serve me, caught his breath, and I put my hand back down on the table. The merchantsâ staresflattered me, even as they disturbed me; their rich cloths made me feel part of a high and select band. Yes, I could count myself their equal. And soon I would rise higher still. I picked up the empty bottle of wine.
âGentlemen, should not this poor deceased bottle have an heir?â
Piero continued to stare. But several of them took up the cry of âAnother bottle, another bottleâ, and others joined in with âLet it be hippocras, hippocras!â
âBut have we a sleeve?â asked Basile. The elder Fieschi went to a cupboard set in the wall and brandished in the air a cone of muslin: a sleeve of Hippocrates, invented by that ancient doctor for some purpose to do with healing the sick, but now used in the brewing of hot, spiced wine, known to all as hippocras. I saw Fieschi unlock a drawer and take out fragrant cinnamon bark and cassia, cloves and grains of musk. These he sprinkled into the bag, which he gave to a servant to take forâard to the cookroom, along with another bottle of romney. The other men cheered. While we waited for the wine, I slipped out once more on deck, to give their curiosity time to cool. The sun had set, and the air was growing colder. Land was a bare line on the horizon now, black against the indigo of sea and sky. A tiny gleam marked the tower on the Mole where bundles of broom were burnt at night to guide ships into the port. A servant stepped out of the forecastle with a steaming pan of wine and swayed aft over the deck to the great cabin, trailing the scent of warm spices after him. Those smells made me think of home. In a few weeks, maybe, my work in Rome would be done, and then at last I would turn back: back home to the family warehouse, on the rain-soaked stones of Broken Wharf in the City of London. And I would have my triumph.
2
It was seven months since I had set foot in that warehouse, and walked its dim passages between the shadowed mounds of barrels and crates that could contain any merchandise on earth. Here, in the years of my childhood, I had explored along with the other two members of our band. We used to prowl through those mountainous landscapes in the dusty light from the few smoke-blackened windows high above, looking out always for new discoveries. There was John Lazar, bold and fast-talking, big for his age, and my rival for leadership of the group; and there was Thomas, my brother. Thomas was slender, fond of his books, but for all that ingenious in dreaming up exploits. He was never daunted by a wall that had to be climbed or a stretch of riverwater to be jumped. In our hands we carried nails, sticks, even a length of iron bar. We tapped the barrels and prised up the lids. Inside, when we were lucky, we found sweet green mastic soaked in rosewater, and dipped our fingers in for a taste: forbidden fruit from savage lands. There was Baltic amber that gleamed with its dull, orange fire; crates of Turkish knifeblades; pungent cinnamon or peppercorns; oiled canvas packages that hid shimmering rugs and damasks woven with swirling figures.
Outside, before the grey timber front of our warehouse, the stink of the river hung in the air. Water lapped the green-scummed stones where two or three lighters always nudged against the wharf, their single sails furled. This had been my world, the world of Queenhythe Ward. East and west it stretched, the length of Thames Street, from the greasy stink of the cookshops beneath the sign of King Davidâs