terrain
,
where I will get dizzy from the altitude
,
I will go above your timber line
I will find the beautiful places
that make me swoon
.
I will go to all the places you recommend
and some you have forgotten
.
I will travel you without a map
or compass, I will navigate
by the stars and the moon
,
the planet we live on
,
my own bones, they will tell me
how to crawl inside your laughter
and I will sleep there
.
II
Tonight I will be the student of you
.
I will study the smallest
and the greatest parts of you
,
the lines and crannies of you
,
the little accidents of you
.
Your scars and your muscles
,
your skin and hips
.
I will study the small country of each hand
isthmus of neck, the great plains of your back
I will follow your numbers, research your skin
,
learn your mouth, your eyes
There is an algebra of you
and I will solve for x
.
III
Tonight I will be the professor of you
.
I will teach you the ways of me
,
the backroads, the unseen of me
,
I will show you the how and the why
and the where of me
,
places I have not been in a long time
and maybe never been
.
I will take you to the lakes of me
,
the full harvest moon
of me, the secrets of me
,
the known of me
,
I will show you the long toothed scar
on my left foot
where they opened me up
and sewed me back
,
In fact, I will show you all the places
I have been broken
and healed again
,
my blessings
and my wounds
,
the gifts of me, the solaces
,
the carnival ride of me
,
the candy of me
,
the light of me in the dark
.
So, after she sent this poem, as you might imagine, Myra felt a little vulnerable. It had not been a limerick or anything like a limerick. It was not a poem with a joke in it or a joke with a poem in it. It was a serious real-life love poem. But then he had said he was in love with her, right? Or was he being flip? Three weeks went by.
We repeat here (and italicize) for emphasis:
three weeks
. No return e-mail from Louis.
“Ummm. Hi?” she finally wrote. “Sorry if you hated my poem.”
Still nothing. “Umm, wow, you really hated it.”
Finally, a Louis message appeared in her in-box.
It was this:
“Been busy. Lots of stuff with my job. Going on a quick backpacking trip to Senegal.”
Senegal? Quick? Like really?
she thought.
Finally, stumped beyond stumped, she wrote to her best friend, Lenore (yes, she for whom her kayak hadbeen named). Lenore was a playwright and poet who lived in Manhattan and the smartest cookie around. She “knew from relationships,” she liked to say, and was a huge yenta, fixing up everyone they knew, successfully, for years.
“Lenore, help,” Myra e-mailed.
“Not the limerick guy still,” Lenore wrote back.
“Yes, that very one. So would you believe it if some guy told you he was going to Senegal?”
“Hmmm, Senegal,” wrote Lenore. “Is he a diplomat?”
“No.”
“Aid worker?”
“No.”
“Does he work for an NGO or for Doctors Without Borders?”
“No,” wrote Myra. “Backpacking.”
“Then no, the answer is no, I would not believe a guy who said he was going to Senegal to go backpacking. I think they might be having a civil war. Or are about to have one. Or just finished one up.”
“That is what I was afraid of.”
“So tell me,” Lenore wrote, “what did you do?”
“Nothing! I sent him a poem.”
“Limerick?”
“No.”
“Don’t tell me you sent him a sonnet. You must never send a sonnet before the first date.”
“It wasn’t a sonnet.”
“A villanelle, then?”
“Nope.”
“Not a pantoum—please tell me you didn’t send him a pantoum!”
“It wasn’t a pantoum. By the way, I hate pantoums.”
“Me, too. I think everyone hates pantoums.”
“Well it wasn’t a pantoum.”
“So what, then? What did you send him?”
“I sent him a free verse poem. A love poem.”
“Oh, honey,” Lenore wrote. “Not free verse.”
“What?”
“A free verse love poem? Tell me it wasn’t in sections.”
“It was. It had three