fairly steep incline, and Prosper Donge got off his bike.
âAre you coming any farther?â he asked.
âIf you donât mind. After spending a day in the hotel basement, I can appreciate even more your desire to live in the country . . . Do you do any gardening?â
âA little . . .â
âFlowers?â
âFlowers and vegetables . . .â
Now they were going up a badly surfaced, badly lit street, pushing their bicycles; their breath came more quickly, and they didnât talk much.
âDo you know what I discovered while I was nosing about in the basement and talking to everyone I could see? That three people, at least, slept in the hotel basement last night. First, Jean Ramuel . . . It appears . . . itâs rather amusing . . . it appears that he has an impossibly difficult mistress and that she periodically shuts him out of the house . . . For the last three or four days sheâs done it again and heâs been sleeping at the Majestic . . . Does the manager know?â
âItâs not officially allowed, but he turns a blind eye . . .â
âThe professional dancing-partner slept there too . . . the one you call Zebio . . . A strange bloke, isnât he? To look at, he seems too good to be true . . . Heâs called Eusebio Fualdès on the studio portraits in the grill-room . . . Then, when you read his identity papers you discover that he was born in Lille, in spite of his dark skin, and that his real name is Edgar Fagonet . . . There was a dance, yesterday evening, in honour of a filmstar . . . He was there until half past three in the morning . . . It seems that heâs so poor that he decided to sleep at the hotel rather than get a taxi . . .â
Prosper Donge had stopped, near a lamppost, and stood there, his face scarlet, his expression anxious.
âWhat are you doing?â Maigret asked.
âIâm there . . . I . . .â
Light filtered under the door of a little detached house of millstone grit.
âWould it be a great nuisance if I came in for a moment?â
Maigret could have sworn that the poor great oafâs legs were trembling, that his throat was constricted and that he felt ready to faint. He finally managed to stutter: âIf you like . . .â
He opened the door with his key, pushed his bike into the hall, and announced, in what was probably his usual way: âItâs me!â
There was a glass door at the end of the passage, leading to the kitchen; the light was on. Donge went in.
âThis is . . .â
Charlotte was sitting by the stove, with her feet on the hob, and was sewing a shrimp-pink silk petticoat, lolling in her chair.
She looked embarrassed, took her feet off the stove and tried to find her slippers under the chair.
âOh! Thereâs someone with you . . . Please excuse me, monsieur . . .â
There was a cup with some dregs of coffee on the table, and a plate with some cake crumbs.
âCome in . . . Sit down . . . Prosper so rarely brings anyone home . . .â
It was hot. The wirelessâa smart new oneâwas on. Charlotte was in her dressing-gown, with her stockings rolled down below the knee.
âA superintendent? Whatâs going on?â she said anxiously, when Donge introduced Maigret.
âNothing, madame . . . I happened to be working at the Majestic today, and I met your husband there . . .â
At the word husband, she looked at Prosper and burst out laughing.
âDid he tell you we were married?â
âI imagined . . .â
âNo, no! . . . Sit down . . . Weâre just living together . . . I think weâre really more like friends than anything else . . . Arenât we, Prosper? . . . Weâve known each other so long! . . . Mind you, if I wanted him to marry me . . . But as I always say to him, what difference would it make? . . . Everyone who knows me knows I was a dancer, and then a nightclub hostess, on the Riviera . . . And that