gloomy architectural firms that exploited cheap student labor to render their presentation drawings and to blame when things went wrong. The other students, particularly the boys, were intimidated by Rahel’s waywardness and almost fierce lack of ambition. They left her alone. She was never invited to their nice homes or noisy parties. Even her professors were a little wary of her—her bizarre, impractical building plans, presented on cheap brown paper, her indifference to their passionate critiques.
She occasionally wrote to Chacko and Mammachi, but never returned to Ayemenem. Not when Mammachi died. Not when Chacko emigrated to Canada.
It was while she was at the college of architecture that she met Larry McCaslin, who was in Delhi collecting material for his doctoral thesis on “Energy Efficiency in Vernacular Architecture.” He first noticed Rahel in the school library and then again, a few days later in Khan Market. She was in jeans and a white T-shirt, Part of an old patchwork bedspread was buttoned around her neck and trailed behind her like a cape. Her wild hair was tied back to look straight, though it wasn’t. A tiny diamond gleamed in one nostril. She had absurdly beautiful collarbones and a nice athletic run.
There goes a jazz tune
, Larry McCaslin thought to himself, and followed her into a bookshop, where neither of them looked at books.
Rahel drifted into marriage like a passenger drifts towards an unoccupied chair in an airport lounge. With a Sitting Down sense. She returned with him to Boston.
When Larry held his wife in his arms, her cheek against his heart, he was tall enough to see the top of her head, the dark tumble of her hair. When he put his finger near the corner of her mouth he couldfeel a tiny pulse. He loved its location. And that faint, uncertain jumping, just under her skin. He would touch it, listening with his eyes, like an expectant father feeling his unborn baby kick inside its mother’s womb.
He held her as though she was a gift Given to him in love. Something still and small. Unbearably precious.
But when they made love he was offended by her eyes. They behaved as though they belonged to someone else. Someone watching. Looking out of the window at the sea. At a boat in the river. Or a passerby in the mist in a hat.
He was exasperated because he didn’t know what that look
meant.
He put it somewhere between indifference and despair. He didn’t know that in some places, like the country that Rahel came from, various kinds of despair competed for primacy. And that
personal
despair could never be desperate enough. That something happened when personal turmoil dropped by at the wayside shrine of the vast, violent, circling, driving, ridiculous, insane, unfeasible, public turmoil of a nation. That Big God howled like a hot wind, and demanded obeisance. Then Small God (cozy and contained, private and limited) came away cauterized, laughing numbly at his own temerity. Inured by the confirmation of his own inconsequence, he became resilient and truly indifferent. Nothing mattered much. Nothing much mattered. And the less it mattered, the less it mattered. It was never important enough. Because Worse Things had happened. In the country that she came from, poised forever between the terror of war and the horror of peace, Worse Things kept happening.
So Small God laughed a hollow laugh, and skipped away cheerfully. Like a rich boy in shorts. He whistled, kicked stones. The source of his brittle elation was the relative smallness of his misfortune. He climbed into people’s eyes and became an exasperating expression.
What Larry McCaslin saw in Rahel’s eyes was not despair at all, but a son of enforced optimism. And a hollow where Estha’s words had been. He couldn’t be expected to understand that. That theemptiness in one twin was only a version of the quietness in the other. That the two things fitted together. Like stacked spoons. Like familiar lovers’ bodies.
After they