end of the house, the wind a fine old comb-and-paper tune today. A slit of the window left open took his pipe smoke away. Thatâs how the music was made, a howling and forlorn oratorio playing from wall to wall. So much noise gusting would disorientate his senses if he went for a walk, so it was as well to be sheltered.
Headphones back in place, he tuned in to the German Numbers Woman, who spoke continuous numbers in a tone suggesting she was the last woman on earth, enunciating from a bunker in the middle of some Eastern European forest, her voice on the edge of breathlessness, as if fearful of an assassin breaking in: âSIEBEN â ACHT â EINS â NEUN â DREI â FUNF â VIER â ZWEI â SECHS â ACHT â EINS â SECHS â EINS â NEUN.â
On and on. She spoke in the ghostly tone of a person who might have a gun by the microphone, and Howard had listened so often to the deliberately mesmerising recitation of figures that he felt he knew much about her. The question was whether anyone else was listening, and taking down her endless numbers, and if so not only who, but what use they were making of them.
On this earth everything was for a purpose, but what hers was he could never know. Or could he? He could but go on intercepting, though he only did so now and again to check that she was still there, and she always was. She spoke on several frequencies simultaneously (heâd found her on eleven different ones already. Others he hadnât bothered to log) so her equipment was not simple. She was no pirate of the airwaves prating for the fun of it, though if she had been a classical pirate he could imagine her making people walk the plank, counting them one by one down to the sharks in her deliberate, impersonal, cold-hearted voice.
And yet, and yet, perhaps she was misjudged. By eternally speaking numbers she was merely doing her job, and not for much money, either. Occasionally the frequencies were closed down, and she was off the air for a time. Then it could be she had caught the bus like any ordinary person, and gone home to feed her children â after shopping on the way to find what treats she could buy for their supper.
She bathed them and put them to bed and sang them songs and told them stories in a voice utterly unlike that with which she shelled out numbers on the air. Her husband had left her years ago because he couldnât stand the numbers voice being used in their quarrels, the ruthlessly catalogued recriminations of his misdeeds. Life on her own was hard. With the children in bed she cleaned her tiny flat, darned and washed their clothes and, if there was half an hour to spare before sleep time, and she wasnât too done-for (she never was) she would play some Mozart or Beethoven on the record player.
Family who would have helped in her lonely life had been killed, or sent off to camps by the Russians at the end of the war, or were maybe lost in one of those air raids Howard had taken part in, sitting hour after hour at his TR1154/55 Marconi on those cold and terrifying nights during the last winter of the war, the happiest moment when, driving through the flak, the tonnage went down and the bomber lifted, and they could turn for home.
And now someone called Ingrid von Brocken came on the air to taunt him with his guilt at having, albeit at some risk, unloaded the wrath of God on her family, though she would have been only a baby at the time.
The headset brought her clearly into mind, queen of the shortwave spectrum naked under a red plastic mac reading off numbers from a pile of sheets by her left hand, the voice as always loud and precise. Maybe there was no woman at all, only an endless leftover tape playing in a forgotten East German bunker transmitting instructions to various agents. No one had thought to switch it off, current still pumped so that it would go on forever, even when all the spies were dead.
The German Numbers