donât you go now?â
Emily uttered a coarse, quick laugh. âThereâs always that pesky living to be made.â
âThen why not go west to that Indian village again?â
âHitatsâuu? Too hard to get to. Itâs on the west coast of Vancouver Island. That means either a six-hour or an overnight ferry to Victoria, an obligatory visit to my sisters there, another day and a half on a steamer up the islandâs west coast, and that only runs once a week, in fair weather.â
âThat didnât stop you before. Whatâs the real reason?â
âThe inevitable argument with my skin-and-blisters.â
âHuh?â
âWith my sisters. About disgracing the family by âsocializing with primitives.â â She snickered. âThat made me want to go there all the more.â
âThatâs a dumb reason. You ought to go because you love it.â
âHow do you know I love it?â
âBecause of your drawings, silly. And your face when you looked at them.â
âLove can take many forms. Even self-denial. Hitatsâuu is terribly isolated. I waltzed in not even thinking about what effect I might have. The girl, Lulu, was inordinately curious about Victoria. I donât want to speed up change.â
âOne person? Arenât you overestimating?â
Emily shrugged, letting her gaze roam over the ship. âLook at the line of that prow. All swooped up in a luscious white arc.â
âYou see everything in terms of line and color, donât you? Itâs an obsession, looking at everything and everyone as possible paintings. Isnât life bigger than that?â
âIt is big. Take those grain sacks and Chinese fishermen wearing those coolie hats. Strong repeated shapes. Good accents.â
âBut theyâre not people to you. Theyâre shapes in a scene.â
âWhat I painted at Hitatsâuu was more than shapes.â
She gazed across Burrard Inlet to North Vancouver and the Squamish Reserve hugging the shoreâso close to Vancouver that the wholecity would have an influence, not just one lone visitor. Maybe the Squamish living there had coffin trees too. Maybe it was a place that could feed her back again, as Lulu had said.
At the east end of the wharf they took a path past waterfront shacks. Down a grassy incline lay a narrow muskeg filled with skunk cabbage, moss, and lady fern. Beyond that, partly hidden by trees, a cove sheltered a tent and campsite, a beached skiff and a larger boat at anchorâfunny-looking, stubby, with a tall, faded red pilotâs cabin much too large in proportion to the hull, a sleepy animalâs eye painted near the prow, and a crazy crooked stovepipe topped by a tin coolie hat. And on the cabin roof, a small French flag.
âNow thatâs a boat with spunk.â
Jessica cocked her head. âWhat about him?â
A short, broad-shouldered, bearded man wearing a slouch hat stepped out from the shadow of trees, crossed a rivulet, and dropped a load of branches by the fire pit.
âFits the scene, doesnât he?â Emily picked some lady fern.
They walked part way down the incline and the man looked up.
Jessica nudged her. âSay something.â
âDo you own that boat?â Emily called out and fanned the fern toward it.
â Non, mademoiselle. She owns me.â
âWe like it,â Jessica chimed in.
He guffawed. âSuit yourself.â
Emily murmured to Jessica, âThose driftwood drying racks would make interesting shadows if it were sunny.â The camp looked fairly permanent. âHow long will you be camping here?â
âDepends.â
âOn what? The weather?â
âDepends on when I sell all my furs.â He moved a bundle of pelts from the skiff to the tent.
âWe want to draw this.â Jessica held both arms out.
The man gesticulated broadly, exaggerating her movement. âThis