weigh her down, the spirit that breathes in every creation and at the nucleus of all being. An emotion flowed into her that was as vivid as excitement and as deep as peace. She wanted to hold on to that moment forever, but there was a voice calling, calling her without words, dragging her back into her body and her bed, until at last she knew she was lying in the dark, and the owl’s hoot was a cry of loneliness and pain for all that she had lost.
An hour or so later she got up, took two aspirin (she wouldnot use sleeping pills), tried to read for a while. It was a long, long time before exhaustion mastered her, and she slipped into oblivion.
Will slumbered undisturbed, accustomed to the nocturnal small talk of his nonhuman neighbors. When the bagpipes began, he merely rolled over, smiling in his sleep.
II
The smoke thickens, pouring upward into a cloud that hangs above the fire. The cloud expands in erratic spurts and billows, stretching its wings to right and left, arching against the cave roof as it seeks a way of escape. But the flue is closed and it can only hover beneath the vaulted roots, trapped here until we choose to release it. More and more vapor is drawn into its heart till the heaviness of it seems to crush any remaining air from the chamber. I see flecks of light shifting in its depths, whorls of darkness spinning into a maelstrom, throwing out brief sparks of noise: a rapid chittering, an unfinished snarl, a bass growl that shrills into a cackle. Then both sound and light are sucked inward and swallowed, and the smoke opens out into a picture.
The moon, thin and curved as a bull’s horn, caught on a hook of cloud. It is suspended in a splinter of midnight sky between mountain ranges higher than any mountains of earth, and its dead-white glow streams down into a valley so deep and narrow that neither moon nor sun should penetrate there. The valley is dry, so dry that I can taste its aridity, shriveling my tongue. Everything is in monochrome. I see lakes of some opaque liquid that is not water, shrunken in their stony depressions; luminous steams shimmer on the air above them. At the bottom of the valley there is a garden of petrified vegetation: brittle knots of stems, the black filigree of leaf skeletons, writhen stumps of tree and shrub. A breath of wind would blow it all to powder, but no wind comes there. Beyond looms the temple: the moon reaches in through the broken roof with probing rays, touching the face of an idol whose nose has long eroded and whose lip crumbles. The hearth at its feet is empty even of ash.
“He has gone,” says Sysselore, and her voice croaks on a whisper. “He has gone at last.”
“He will be back.” I know him too well, the god in the dark. “The others may fade or fall into slumber, but
he
is always persistent. He believes that even Time is on his side. He will be back.”
For a moment the moonlight falters, then the shadow of the mountains sweeps across the valley, and in that shadow the shapes of things are changed, and there is a rustle among the vanished leaves, and a stirring like an infinitesimal breeze in that place where no breeze ever blew.
He will be back
.
And then the darkness turns to smoke, and the picture is lost.
There are changing landscapes, cities and villages, hovels, temples, castles. Ruins sprout new walls, which crumble and fall in their turn. Weeds grow over all. Mountains melt into plains, hills heave upward like waves. The picture falters, pausing on a lonely needle of rock jutting into a flawless sky. For a moment I hear music, a silvery tinkling without a tune, as if the wind is thrumming on forgotten harp strings. I inhale a whiff of air that is both cold and thin: we must be very high up. There are voices chanting, though I see no one. And then I realize that the needle of rock is a tower, a tower that seems to have grown from the jawbone of the mountain like a tooth, and below it gray walls interface with the cliff,