funding what you do?â
âIt is.â
âBecause,â Isabella added, âif youâre sentenced to death, youâve got an automatic right to an appeal.â
âBecause sometimes people are innocent?â
âWell, first itâs the law. And second, youâre right, sometimes people are innocent,â Eleanor said. âSo itâs because of that, and also itâs because of the lousy counsel defendants sometimes getâthere are a couple guys on Death Row in Texas whose attorneys slept through much of their trials. So thereâs a small but persistent movement to reexamine the cases of people currently on Death Row.â
âLike those Northwestern journalism students who tracked down evidence that a guy on Illinoisâs Death Row was innocent?â I asked.
âExactly. Thatâs where the Center for Wrongful Convictionswas founded. In fact, there are Innocence Projects all over the country now, but none are willing to take on this case. Joe Kotter, the guy who defended my client, is a more-than-competent attorney, which makes it even tougher to pursue the appeal. And thatâs why Eleanor thought we should talk to you. Weâve got an innocent guy on our hands, really innocent, itâs not just that flimflam stuff you think we lawyers do.â
â Small Town is a city magazine,â I protested. âWeâre not exactly home base for hard-hitting investigative reporters. The only things weâre tough on are bad movies and unsafe sushi.â
âWe know that,â said Eleanor. âWe just want to start by asking some advice. If we go to aâforgive me, Maggieâa real reporter, somebody on the crime beat, theyâve got to run with the story. This is a delicate situation.â
âOkay, what do we know so far? Itâs delicate and Iâm not a real reporter. As you guys would say, âIâll stipulate to that.â But I still donât know exactly what it is you want my advice about.â
Eleanor looked at Isabella. âItâs your story to tell,â she said.
Isabella nodded. âMy clientâs name is Travis Gifford. Heâs forty-one years old, retired from the military. Ran a couple of motor pools on big Army posts, made sure the brass got driven around. So when he got out of the service, he tried driving a taxi part-time, but he didnât like it. His momâs got a jazz club in the city, and he used to play there sometimes, but the club didnât generate enough income to support both of them. Anyway, heâs a very smart, personable, presentable-looking guy, so he went to work for one of those upscale car companies. Heâd do airport runs and longer-term assignments for executives. He had a license to carry a gun, so sometimes heâd do security-related driving.â
âWait a second,â I said. âTravis Gifford. I remember this story. Your clientâs the Limousine Lothario?â
Isabella nodded. âThatâs what they called him. Heâs a handsome man, and before he went to prison, he did enjoy the company of women.â
âIn the limousine? Isnât that right? He used it for assignations?â
âSometimes.â
âAnd then he murdered a woman in the companyâs limousine?â
âThatâs what the jury concluded.â
âBut thatâs not what happened?â
Isabella pulled the pencil out of her topknot, opened her perfectly made-up lips, and began chewing on the end of the pencil.
âIsabella,â prodded Eleanor, softly.
She took the pencil out of her mouth and said, âAbsolutely not.â
CHAPTER 3
I left Eleanorâs house with two souvenirs: the leftover pastries and a thick file on Travis Gifford, the Limousine Lothario. The file included a number of society-page clips featuring Grace Plummerâa tall, ashy blond with a high cheekboned, sculpted face that either signaled great genes or