with. Then, with a flash of hope, he ran down to the bottom of the garden again, climbed up to the wall, and looked out through the bars of the railing. He had almost persuaded himself that he would find the place he had first seen the motionless cat empty. But the cat had not gone away, it was still there, gray and immobile within the funeral wreath of the white and purple iris. And its death was confirmed, with a macabre sense of rotting carrion, by a black file of ants that had turned aside from the pathway and marched up the flowerbed, right up to the muzzle and even the eyes of the cat. He looked at it and all of a sudden, almost as if superimposed there, he seemed to see Roberto in place of the cat, he too stretched out among the iris, he too inanimate,with ants coming and going through his spent eyes and half-open mouth. With a thrill of horror, he tore himself away from this terrible contemplation and jumped down. But this time he was careful to pull the doorway of ivy back into place. For now, along with remorse and terror at his own self, he felt the fear of discovery and punishment blossom within him.
Still, as much as he feared it, he felt simultaneously that he
wanted
to be discovered and punished, if for no other reason than to be stopped in time on this slippery incline, at the end of which, inevitably it seemed, murder awaited him. But his parents had never punished him that he remembered; and this was not so much due — as he vaguely comprehended — to any educated concept excluding punishment as to indifference. Thus to the suffering incurred by suspecting himself to be the author of a crime and, above all, to be capable of committing other, even graver ones, was added that of not knowing whom to turn to to be punished, or even what that punishment might be. Marcello was dimly aware that the selfsame mechanism that had driven him to confide his guilt to Roberto in hopes of hearing him say it was not a crime but a common thing that everyone did, was now urging him to make the same revelation to his parents in the contrary hope: to see them exclaim with indignation that he had committed a horrible crime for which he must atone with appropriate pain. And it mattered little to him that in the first case Roberto’s absolution would have encouraged him to repeat the action which, in the second case, would instead have exposed him to severe condemnation. In reality, as he himself understood, in both cases he longed to escape from the terrifying isolation of his abnormality at any cost and by any means.
Maybe he would have decided to confess the cat’s murder to his parents if, that same evening at dinner, he had not had the sensation that they already knew all about it. In fact, when he sat down at the table, he noted with a mixture of dismay and uncertain relief that his father and mother seemed hostile and bad-tempered. His mother, her childish face assuming an expression of exaggerated dignity, sat very upright with her eyes lowered, in aclearly contemptuous silence. Opposite her, his father revealed, by different but no less speaking signs, analogous feelings of temper. His father, who was many years older than his wife, often gave Marcello the disconcerting sensation of being relegated, along with his mother, to a communal realm of infancy and submission, as if she were not his mother but his sister. He was thin, with a dry, wrinkled face, only rarely illuminated by brief bursts of joyless laughter, and in which two traits, undoubtedly linked to the same source, were especially notable: the inexpressive, almost mineral sheen of his bulbous eyes and the frequent flicker, under the drawn skin of his cheek, of who knew what frenetic nerve. Perhaps he had retained, from his many years in the army, a taste for precise gestures and controlled attitudes. But Marcello knew that when his father was angered, his control and precision became excessive, turning into their opposites — that is, into a strange,