Maybe it was already there. Ivy invaded the top floor. Moss smothered the gutters. Autumn leaves, still not raked, swirled across the slate, hissing their opinion.
But a song was playing inside the house, a tune about deep and dreamless sleep, a place where silent stars go by. Nobody was in the kitchen, however. Or the den. The dining room was empty, along with the front parlor where the windows faced General Robert E. Leeâs statue on Monument Avenue. I stared at the record, the RPM, spinning on my grandparentsâ hi-fi. I thought of the man with a cross burned into his lawn, and I listened to verses about hope and fears.
Three cardboard boxes rested on the velvet chairs, dusty tops open.
âAnybody home?â I called out, walking up the walnut staircase to the second floor. I knocked on my motherâs bedroom door. No answer. Her four-poster bed was crisply made with red and green Christmas pillows lined up against the headboard. Down the hall, I could hear another kind of music. It sounded nothing like a Christmas carol.
We rented a room in the big house to Wally Marsh, a local photographer who helped take care of my mother. Heâd lived with us for about a year and had proved a loyal friend, although since our return from Seattle, Iâd noticed some changes. Like the music, loud enough to rattle the iron hinges on his bedroom door. A rapper rhymed town , down , crown , frown â
I knocked. No reply.
I pounded. âWally!â
The door finally opened. âI didnât hear you,â he said.
No kidding. âCan you turn that down, please?â
His flat expression drained warmth from his brown eyes. A cold breeze blew through the open window, lifting the heavy scent of his cologne. Another new element, cologne. And jewelry. The rapper rhymed dawn , con , turned on .
âSeriously,â I said, âitâs too loud. Turn it down.â
He shuffled over to the desk, his thin frame swallowed by baggy jeans. He lowered the decibels on the boom box from assault to annoying. The CD player glinted with chrome next to a computer whose monitor measured roughly the size of my television.
âWhazzup?â he said.
I let it go. âI canât find her.â
âNadine?â he said, as if another woman lived here besides my mother. âSheâs been creeping around the attic all morning, putting on holiday tunes, giving me a headache. I was trying to get some work done.â
I glanced at the computer monitor. Four black guys wearing baggy black clothing flexed their hands in gestures that reminded me of dive-bombing crows. After years as a struggling freelance photographer, Wally hit the mother lode. Rappers.
âNew clients?â I nodded at the picture.
He crossed his arms. âBe glad Iâm not scrounging up rent every month. These guys pay.â
I couldnât count the months we bartered dog walks, handyman services, and taking my mother for drives. Freelance photography paid enough to feed a houseplant and I knew that when we signed the lease. âDo you know a guy named RPM?â
He gave a dismissive laugh.
âWhatâs wrong?â I asked.
âRPM? Heâs the bank. Dig?â
âPardon?â
âHis production company cuts my checks.â
The urban patois didnât fool me. Wallyâs true citizenship was Nerdville. Thatâs what I liked about him. He read the gossip section in the newspaper and argued religion with my mom. His parents, now deceased, sent him to Catholic schools and none of this simulated rap-speak changed my mind. Wally was still a nerd.
âIf you run into the bank or anyone in that crowd,â I said, âIâd appreciate it if you didnât say anything.â
âAbout what?â
âAbout your landlady being an FBI agent.â
His eyes opened so wide I saw the dendritic veins radiating from the dark irises.
âMe?â he said. âHow about you donât say