five or ten feet at most we’re still going too fast what happens when we come down will it blow like in the films the helicopter always explodes in a fireball I don’t want to–
The helicopter hits the ground, bounces, metal tearing with an awful howl, my stomach tries to jump out through my throat, then we hit earth again and the whole thing rolls over and I’m being tumbled backwards, the camera flying out of my arms OW its whipping lead catching me on the ear and I feel sick with pain, someone’s shouting FUCK FUCK FUCK in an American accent and there’s so much noise, grinding, shrieking, smashing glass–
and the sledgehammer shatters the windscreen, my mother calling no no no, blood between my fingers –
All my fault. We shouldn’t have flown widdershins round Avebury. I should have made them take out the right-hand door, and we would have flown sunwise–
And I’d have been underneath the helicopter now, as we grind over the crushed barley and the hard dry chalk, and the metal skin on the right-hand side crumples like paper–
And we stop.
Silence. Blessed silence. Nothing. It’s all stopped, apart from a humming note that must be my ears, and the odd creak and sigh and tick of settling metal. I wait for the sound of running feet through the barley, of some sign there’s someone else alive somewhere, but nothing happens, as I hang in my straps, the helicopter suspended between worlds. I’m holding my breath waiting for the real one to rush back in.
‘Goddamn.’ It’s one of the Americans, his voice a croak. ‘You OK, Ruth?’ Then Ruth starts sobbing and the world is back with a bang, the others going Jeez that was close Didya see how we got caught in like a vortex? and Was it the forcefield of the crop circle that brought us down? and Ed’s voice saying Is everyone all right, take it easy, we’re on our side, be careful how you unbuckle and there’s a groan of shifting metal and everything sways sickeningly and something falls off outside and he shouts I said be careful you fat fuck stop panicking you’ll all be able to climb out through the side door there’s plenty of time it’s only in the movies that they blow up we came in really slowly hit the ground with hardly any force
Steve is uncharacteristically quiet.
He wasn’t belted in, crouched at the back of the helicopter behind me, watching the shots unroll on the monitor. I twist in my webbing straps to see if he’s OK.
He’s lying on his back staring up at me, on the stoved-in wall of the helicopter. It looks like he’s reaching out one hand to catch the camera, which has landed beside him, its eye pointed towards him and the red light still winking, the black plastic rim of the lens smeared with thick red. Colour, angle, geometry: all fit perfectly, all come together to centre the shot on the ugly dent in the side of his forehead.
CHAPTER 2
Autumn Equinox
‘India! Been a fair old time since you phoned. Orright? Did you get my birthday card?’
‘Sorry, John. Should’ve been in touch sooner.’
I can picture him in the kitchen of his cottage at West Overton, his feet up on the scarred pine table, setting September sun refracting through the quartz crystals that dangle at the window, making a dappled pattern of light. It’s late enough in the afternoon for his lovely ladies, the middle-aged country wives who drive over in their 4 × 4s for reflexology and a shag, to have gone home. He’ll be rolling a spliff one-handed. There’ll be a home-baked loaf on the breadboard, and maybe even a rabbit suspended by its feet from the hook on the back of the kitchen door, waiting for him to skin and stew it. John grew up in suburban Sutton Coldfield, but he embraced rural life with a vengeance when he moved to Wiltshire after my mother left him. He’s good at it too, maybe because he was once in the army.
‘So, how’s life in the big city? You running the BBC yet?’
‘Not exactly. Um, John, I’m ringing