naked to drive a crowd to frenzy. The boy found his new life pleasing. He discovered that if he made his penis bobble or flaunted his testicles, a prim woman or two might swoon, after which Peabody would draw the curtain and declare the act successful. He began searching for ways to frighten, hissing and snarling, letting spittle drip from his mouth. When Peabody patted his shoulder and pronounced, “Well done,” the boy felt fullness in his stomach that was better than food.
* * *
Though the Wild Boy cage was his, the boy did not sleep in it. Beneath the sawdust and hay lay a hidden door; after the curtains were drawn he undid the latch and climbed into the dray’s box bottom, where a wool blanket was stored for him; from there he made his way to Peabody’s wagon, where a change of clothing was kept for the prized Wild Boy. Peabody would sit at the far end of the wagon chewing at his pipe while writing and sketching by lantern light, occasionally pausing to give a conspiratorial look.
“Excellent take, my boy,” he’d say. “You’ve got a certain flair. Mayhap the best Wild Boy I’ve had. Did you see the missus faint? Her skirts went over her head.” His belly shook as he clapped the boy on the back. The boy understood that the man liked him. He’d begun to recall words from a time before the woods, words like boy, and horse, bread, and water, and that laughter was good. The more he listened to Peabody talk, the more language began to knit.
Peabody spoke differently to the boy, with a quieter voice than he used with others. The boy did not know that within short weeks of their acquaintance, Hermelius Peabody had begun to think of him as a son.
It began when Peabody did not want the boy to spend an unseasonably cool night in the Wild Boy cage. Perhaps the boy’s thinness inspired pity, but Peabody decided offering the boy a warm place to sleep was a good business investment and would reflect well on his soul. The boy curled up on a straw-stuffed cushion, the same cushion on which Peabody’s son, Zachary, had once slept. Something inside Peabody shifted. Zachary had set out years before to make his fortune, leaving Peabody proud but at a loss. He looked at the sleeping boy and realized his latest acquisition might fill that space. When the boy woke he was greeted by a pile of clothing that was to belong to him. The knee britches and long shirts were no simple castoffs; they had been Zachary’s.
In the evenings, the boy sat on the floor of Peabody’s wagon, listening, picking out names, places, acts. Nat, Melina, Susanna, Benno, Meixel . Peabody schooled him little in social niceties, as he deemed them useless, instructing instead in showmanship and confidence born of understanding an audience. At first the boy did not want to know about the people who looked at him through his bars; he was pleased that the cage kept them at a distance, but curiosity sprouted as Peabody made him watch other acts, the tumbler, the bending girl, and the strongman.
“Watch,” he said. “Benno looks at the lady just so, draws her in, and now he’ll pretend he’s about to fall.” The tumbler, balanced on a single hand, wobbled dangerously and a woman gasped. “He’s in no more peril than you or I. He’s done the same trick with that very wobble since I picked him up in Boston. We lure them in, boy, lure them and scare them a little. They like to be frightened. It’s what they pay for.” The boy began to understand that those who watched were others . The boy, Peabody, the performers were we.
Over a series of weeks, Peabody taught his Wild Boy the art of reading people. Prior to each evening’s show he sat with the boy in the Wild Boy cage. Together they peeked through the heavy drapes and observed the crowd.
“That one there,” Peabody whispered. “She clutches the hand of the man beside her—that one’s half affright already. A single pounce in her direction and she’ll have a fit.” He chuckled,