You’ll be more comfortable there, Mrs’ - she glanced at my form - ‘Mrs Castle-Dunbar. Would you like a lie-down now? I can send some tea up to your room.’ I’d prefer to stretch my legs, I told her, and she got me an umbrella. Several ‘Made in China’ umbrellas were in the stand - left behind by forgetful guests, doubtless - but she picked me out a sturdy, Churchillian, raven-black affair.
Yes, there are boxes of tatty junk in Lyme Regis, but also cabinets of bona fide rareties. Nestling between Cap’n Scallywag’s Diner and Wildest Dreams Amusement Arcade you’ll find Feay’s Fossils and Henry Jeffreys Antiquarian Maps. From a florist on Silver Street, I purchased twelve ruby roses. In a jeweller’s on Pound Street, a pearl necklace caught my eye. £395 is not small change, but one doesn’t bury one’s soul-mate every day of the week, and I negotiated a discount of £35. I got the elderly proprietor to snip off the tag so I could wear it now. ‘Very good, madam,’ he replied. England would be a superior country if everyone in shops spoke like that.
Then I came to the Cobb.
It curves out into the sea, this ancient stone wall, before dividing into two arms. One arm shelters the modest harbour. The other lunges into open water. Judith Castle-Dunbar followed the latter, cutting a swathe through a platoon of German pensioners. She booted their backsides into the briny drink, or imagined doing so, so vividly that she heard their cries and hearty Teutonic plop! s. Sir Andrew’s Requiem - more sublime than Mozart’s, who never knew when to stop - thundered over the water, for her, for the soul of Oliver Dunbar. Beadlets of mist clung to her overcoat. She reached the end. Judith Castle-Dunbar gazed towards France, obscured today by an inconsolable sky of tears. An inconsolable sky of tears . Judith Castle-Dunbar flung one red rose into the funereal waters below her. And another, another, another, sinking into the fathoms. Rest in peace. The widow has an uncanny sensation of being in a film.
Gulls are her familiars. Damp tourists, anglers, local hoodies and drug addicts, bored rich Germans, spiteful June Nolans, soya-milk Winnifreds and bronzed Marions, holiday admirals in their affordable yachts . . . they watch on, wondering, Who is that woman? Why is her sadness so deep? She will remain anchored in the inlets of their memories, long after today. This woman moves in a separate realm. A Meryl Streep sort of realm. A realm which ordinary people can glimpse, but never inhabit.
Tucked up on the toppermost shelf of the town, Oliver Dunbar Photography was open for business as usual. A bell greeted me: the very bell Olly must have heard every day of his working life here. Right here. I must obtain it, and have it rigged up to my door at home. Inside, a man was speaking on the telephone. Leo! I recognized him by his voice. Leo is a touch beefier than Olly, but he has those sensuous Dunbar eyes, and that Jeremy Irons bone structure. His black clothes - obviously he’ll be in mourning for weeks yet - suited him well, and what pluck, I thought, to keep the show on the road at a time like this. Doubtless the Dunbars are rallying round. Despite my discreet enquiries, Olly never mentioned Leo’s wife or girlfriend, and all ten fingers were free of rings. With the receiver still wedged between his ear and his manly shoulder, Leo smiled apologetically and gestured that I should make myself comfortable. An electricity passed between us. I sense these things. Why should it not? He is my dead lover’s brother. I am one of the family. Closing my umbrella, I stood it in a bucket, and withdrew into a side-gallery to give Leo some privacy. His conversation wasn’t worth overhearing, anyway: arrangements for wedding photographs at the council offices. Olly and I were to have married in a stone circle.
The side-gallery was walled with portraits. Some faces are windows, others are masks. What jokes had Olly told to