moon-lit fires of frosty scintillation
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On boughs of frozen pines
Are jewels from the days before Creation
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Dug from no mortal mines.
Row upon glassy row, from cornice white
Of boughs and thatches, hang the slim and even
Long icicles, like daggers frost-engraven.
Seven on the eaves and on the pine-bough seven
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These are the swords shall smite
The heart of Mary Mother, Queen of Heaven;
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For on this winterâs night
The hidden Flower of Love wakes from its dreaming,
Breaks the green sheath, uncurls each petal folded;
And silently as dew on green leaves gleaming
The world is shattered and a new world moulded
In Loveâs own likeness, ere world-weary men
Have taken breath and breathed it out again.
The Fishermanâs Rest
Under the shining helms
Of piled white cloud
A sombre screen of elms
Is set to shroud
The little red-roofed inn
From the midday glare.
Its smoke climbs straight and thin
Through windless air,
And breaks on the sombre boughs
To an azure bloom.
But we, who know the house
And the clean-swept room,
Enter and loudly ask
Huge Mrs. Reece
To draw from the new-tapped cask
A pint apiece
Topped with a creamy crown
And clear and cool
As the trout-stream lagging brown
In its rock-carved pool.
Then, after talk and drink,
Weâll rise and go
To the brown streamâs trembling brink,
To crouch and throw
A tinselled fly, till the trout
That sulks alone
Is artfully wheedled out
From his shadowy stone.
Mrs. Reece Laughs
Laughter, with us, is no great undertaking;
A sudden wave that breaks and dies in breaking.
Laughter, with Mrs. Reece, is much less simple:
It germinates, it spreads, dimple by dimple,
From small beginnings, things of modest girth,
To formidable redundancies of mirth.
Clusters of subterranean chuckles rise,
And presently the circles of her eyes
Close into slits, and all the woman heaves,
As a great elm with all its mounds of leaves
Wallows before the storm. From hidden sources
A mustering of blind volcanic forces
Takes her and shakes her till she sobs and gapes.
Then all that load of bottled mirth escapes
In one wild crow, a lifting of huge hands
And creaking stays, a visage that expands
In scarlet ridge and furrow. Thence collapse,
A hanging head, a feeble hand that flaps
An apron-end to stir an air and waft
A steaming face ⦠and Mrs. Reece has laughed.
Expostulation to Helen
Helen, Iâd be, if I could have my wish,
A pool among the rocks where small, shy fish
Gleam to and fro, and green and rosy weed
Sways its long fringes. So I should not heed
Your comings and your goings nor each whim
So skilfully contrived to torture him,
Your chosen fool. And still, as now, each day
Your vanity would bring you where I lay
To kneel and on my crystal face below
Gaze self-entranced, as now; and I should grow
Beautiful with your beauty, and you would be
More beautiful for the crystal lights in me.
But when, self-surfeited, you went away
I should not care, nor could the blown sea-spray,
Blurring your image all the winter through,
Vex the pure, passionless water, strictly true
To its own being. Only the weeds would swing
Rosy and green, and the ripples, ring on ring,
Tremble and wink above the gleaming fish.
So would I be, if I could have my wish.
To Helen With a Bottle of Scent
Sage titillator of a thousand noses,
Old Hafiz the Perfumer, years ago
Boiled down two gardensful of yellow roses
And skimmed the gold froth from the sumptuous brew;
Then strained it out into a crystal vat
To work and settle during certain moons
As ordered in the thirteenth Caliphate;
Then boiled again and stirred with silver spoons
Till shrunk to half; and so, by slow degrees,
Boiled and laid up and boiled again, till fined
To pure quintessence purged of subtlest lees.
Then, death at hand, he chose with artistâs mind
This curious flask