almost beautiful.â
Masonâs heart began to thump. He was getting exactly what she was after!
âMoreover, the threat of the backgrounds is further neutralized in each of the paintings by the central image of a young woman. These women exude a beauty, a purity, a moral strength, and an awareness of their own sensuality that transforms the misery and peril of the world around them. At first, the paintings seem pessimistic. But the longer one looks at them, the more obvious it becomes that they are intensely hopeful and life-affirming. Look at this one. Obviously painted in the catacombs, the woman is surrounded by stacks of human skulls. A more unsettling reminder of our mortality youâd never want to see. Yet sheâs by far the most powerful thing in the painting. A power that makes even our destiny of death seem beautiful.â
Masonâs heart was racing now.
He gestured again toward her self-portrait. âBut for me, this is the most captivating of them all. Sheâs painted herself in what appears to be a battlefield. A horror that has brought her to her knees and stripped her bare. And yet, sheâs rising from her knees, from the ashes, and giving us that exquisitely enigmatic hint of a smile. What is she telling us?â
Mason looked away from the painting and into his eyes. âYou tell me.â
âSheâs telling us that the beauty of art can transcend and purify the horror of the world. Hardly the message of a woman about to kill herself, I admit. But thatâs her tragedy. She succeeded in her mission, yet she didnât know it.â He shook his head sorrowfully. âI wish Iâd known her. I wished Iâd been able to tell her just how magnificently she succeeded.â
Mason couldnât believe what she was hearing. For the first time in her life, she felt completely understood, accepted, appreciated.
âWho are you?â she gasped.
âMe? Iâm nobody.â
âAre you a critic? Or an artist yourself?â
He chuckled, a deep rumble that seemed to emanate from his massive chest. âIâm not a critic or an artist or a collector. Just a chap who hangs about the art world. You might say Iâm just an appreciator of art. But I know the real thing when I see it.â
âYou must have a name.â
He smiled, showing a flash of straight white teeth. âGarrett. Richard Garrett.â
He extended a large hand that made hers seem miniscule in comparison. The touch of his firm, warm flesh sent a jolt through her senses.
âAnd your name isâ¦?â he prompted when she just stood holding his hand.
âMaââ She caught herself just in time. She was so befuddled, so swept away, that sheâd almost slipped and told him her real name. Shaking herself, she amended, âIâm Amy Caldwell fromâ¦Boston, Massachusetts.â
âWell, Amy Caldwell from Boston, Massachusetts, Iâd say you have a bit of a dilemma on your hands.â
âDilemma?â
âI assume you saw all those people lining up outside to buy your sisterâs paintings. Tomorrow theyâll be able to sell them for five times what they paid for them today. And the day after that, those people will be able to sell them for ten times what they paid. Thereâs a phenomenon afoot and you need time to sit back, assess the situation, and find the proper strategy for dealing with it. Were I you, Iâd stop this sale right now before it gets started.â
Mason looked across the room and saw that Falconier was about to open the doors to the public and begin the sale. The gangster Juno Dargelos had already taken three canvases featuring Lisette off the wall and was waving a fistful of francs at Falconierâs back as Lisette continued to berate him for embarrassing her this way.
Uncertain what to do, Mason glanced back at Garrett and asked, âStop it? But isnât that a bit like leaving the bride at the