discussions, always ready to poke fun at us and everything else. The possibility of that deception made me doubt everything. Ibrahim tried to make me stop believing that Yacine had deceived me, insisting that every one of us proceeds towards our fate unable to distinguish the things we use to deceive ourselves from those others use to deceive us.
In the early years of our acquaintance, Ibrahim had been the thread that bound our group. He had served as a romantic go-between, capable of solving the most complex love-related problems, particularly since the great esteem he enjoyed among women made them confide their secrets and stories in him. He was not known to have had a special relationship with a woman, and it was rumoured that he was gay. This did not upset him, and he did not deny it. He would bring his friend Abdelhadi, an ’aytah artist who sang at the Marsawi nightclub in Casablanca, to our soirées; both were welcomed with smiles that soon faded into a tolerant complicity that Ibrahim’s sparkling yet modest personality inspired. After a brilliant education in Rabat and Paris, Ibrahim had been able to set up a large law firm dealing in financial and corporate cases. He amassed a huge fortune that had allowed him to support a large number of painters, sculptors and actors.
Ibrahim chose to live with his mother, an extremely bright, traditional woman with multiple talents, and he was affluent enough to indulge his natural inclination to live in a house with open, complex spaces. We were very close. He was an avid reader, and there was not a book I read that he had not recommended.
Ibrahim would experience three serious traumas over as many years. The first was the suicide of Abdelhadi. He felt that the world had collapsed under his feet, and that he would keep endlessly plunging until he lost contact with everything around him. He felt he would continue falling, not quite touching something akin to the ground, until the void swallowed him anew. The reason for that feeling, as he explained to me later – after Yacine’s death – was not the death in itself, but his having failed to see it coming. He had not even once registered the suffering of someone close to him.
Ibrahim and Abdelhadi had created a kind of social accommodation that made it possible for them to coexist without serious compromises and without gratuitous stubbornness. Ibrahim arranged an independent life for his friend; he married him to a relative of his, and celebrated the birth of his twins, Essam and Mahdi, with boundless joy. Their relationship remained intimate and warm despite the sadness that resulted from the sensible arrangement of a life that defied organisation. Late at night, Ibrahim would swing by the club where Abdelhadi performed. He would sit in a discreet corner, soaring up to the heavens with his friend’s beautiful voice, amazed by the depth of the sadness revealed by a man who normally did not stop laughing and joking. As soon as he opened his mouth to sing, it was as if a dark breath filled with past tragedies rose within him and he would withdraw into the far regions of his inner self. At the end of his performance, Abdelhadi would stride across the hall filled with his fans, laughing resonantly, and walk towards Ibrahim’s table to spend the interval with him. They would make small talk, commenting briefly and elegantly on clothes, skincare products and seasonal dishes. They would talk about the twins and their mother Haniya, always silent and busy with the housework with a devotion that bordered on the religious. They exchanged tender words about absence and missing each other, and fixed or failed to agree on a date for an upcoming soirée. The following day Abdelhadi would stop by Ibrahim’s house and sit with his mother by the back door of the kitchen that overlooked the garden and tell her that artichokes were available at the central market. If Ibrahim’s name should come up, his face would light up, as if his