and you hear the schwoooeeeet, and you want to cry.
Also I bought some software so that I could save the Flash video of Sinead O'Connor on YouTube doing her live rendition of "She Moved Through the Fair," which is even better than the one on iTunes. So I was moving forward, in a sense.
Roz said, But sweetie, you're spending all this money, and we don't have it. And that's true, we didn't have it. Back in the nineties I took a swoosh in the stock market, with money I got from my grandfather, and I did well for a while. That's when I met Roz and she moved in. I bought some shares of Koss Corporation, the headphone company, and then I split the hairy root ball and bought some Canon Depository Receipts. Then I split that hairy root ball. I bought Maxtor and then sold it. I bought stock in a tiny company called BeOS, and it doubled in a day and a half. Then I bought lots of bad stocks over several years and all the money shrank away, more or less. Roz was supporting us now, except for an equity loan on my house and a chunk of money I borrowed from my sister, who is not that rich. If, or when, I handed in the introduction to Only Rhyme, I'd get seven thousand dollars, because my editor, Gene, is very generous. Apart from that there was almost nothing due, just the odd thousand in honoraria here and there from book reviews or readings or panel discussions, like the one coming up in Switzerland. I can't teach. I tried it once at Haffner College and it practically unhinged me.
I said to Roz, "I know it seems excessive and a little odd, but I think this is the only way to really lay it all out fresh, and sing the pain." She nodded and she said okay, but in a very small voice. I could see she was losing faith in me and losing her love for me. And her respect for me.
B ECAUSE WHO WANTS to be forced into the role of enforcer? Roz was a writer herself, and an editor; she wasn't a doubter and a prodder. She wasn't some calendar-tapping scold. She actually liked my poem "Smooth Motion"--she was first attracted to me because of it, I think. At least, she wasn't attracted to me for my looks, because I'm not smooth, in fact I'm pretty rough looking. Although I've lost some weight recently, and once Roz did say that I looked good in a certain subtly houndstoothed jacket that she helped me pick out.
She hadn't reckoned on having to be forever poking at me to get me to write one forty-page introduction to an anthology. And she didn't want to be arguing over money. And she wanted to adopt a child and I didn't--why? I don't know. I see these horribly spoiled rude selfish kids and don't want to risk being the father of one.
But I think if I'd just written even a tiny five-line poem about an inchworm on my pant leg it would have been fine. Anything, something. Roz commuted all the way to Concord to work for an alternative newspaper, but I think it would have been all right with her to support us for a little while as long as I was getting actual work accomplished.
But when I came down empty-handed from the barn at the end of the second week, that's when I really wounded her. She was standing in the hall putting her keys in her purse. Beautifully made-up. Smelling clean from her shower. She looked up and said, bravely, "So can I read it?" And I felt this horrible inner sensation: my caramel clusters of self were liquefying and pooling in the warmth of their own guilt. I said, "I'm sorry, honey. I don't have anything."
And that was it. My beautiful, patient, funny, short, loving girlfriend--the woman I'd been with longer than anyone else--moved out. She was right to leave me, but it felt really bad. Horrible, in fact. Plus I was broke.
3
I SAT IN THE BARN , thinking of the metal chin-up bar I had in my doorway when I was ten years old. The bar had gray rubber rings, and when you tightened the middle you could hear the doorjamb crack in a nice way. The tightening of the bar was the first assertion of secret strength.
And then you did chin-ups,