had been shot to death in the robbery out on Judah.
Sheâd seen the gang through the windshield of her motherâs car: four of them in the parking lotâaccording to her story; and possibly a fifth, a female lookout sitting on a bench at the corner. One of the men had stripped off his mask as he came out of the bank. With the help of a police sketch artist, sheâd identified that man as Bill Owens. But sheâd been barely eleven years old, and thereâd been other, contradictory evidence.
Eliseâs storyâher long struggle to bring the case to courtâhad been in the papers off and on. She had been portrayed variously over the years: as an innocent victim, a person obsessed with justice; as a woman who had lost touch with reality, casting stones haphazardly, looking for someone to blame. Whose view of what happened was no more reliable now than it had been then. Even those law officials who sympathizedâwho remembered the caseâhad grown weary of her. On more than one occasion she had criticized the judges and lawyers, the prosecutors and politicians.
Some of these same people stood behind her on the podium now.
âMy motherââ She hesitated. âMy mother was just going to the bankâto cash her overtime check. My father had finally just gotten a job, too, our lives were turning for the good, and we were going to have a celebration. But all that changed, in one awful instantâ¦â
The woman was not a professional orator, but she had an earnestness that was hard to resist. Still, there seemed something strained, a modulation not quite under control. When Elise Younger left the microphone, she appeared to buckle for an instant, her knees weakening, or maybe just her heel giving way, catching on the concrete. Sorrentino was quick to take her arm, and as he did so, Dante saw the disdainful glances of Blackwell and his assistant. Sorrentino did not have the grace of the others on the stage. He was a working-class guy under it all, with a jacket that wouldnât button and a misshapen hat. And the way he hurried to Elise Younger, there was something a little too hungry there.
Guy Sorrentino was in his sixties, a small man, thick through the shoulders. An ex-cop. Heâd lived in the Beach in the old days, but had been pushed off the force. Or had pushed himself.
Truth was, Sorrentinoâs son had died during the First Gulf War, in the early nineties, and things had fallen apart for him after that.
So what was he doing here with Elise Younger?
At this point Blackwell himself took the podium. He did what prosecutors always do, avoiding the particulars of the caseâor pretending toâso as not to jeopardize the trial, but at the same time letting the public know his people were on duty, getting results. Seeking publicity while not seeking. Getting the jump on the defense. âWe canât talk specifically about this case, about any of the details, because we do not have the slightest intention to try this case in public. I will just say the simple fact, and that is: Earlier this morning, Bill Owens was served with a warrant for his arrest by officers Leanora Chin and Steve White.â
Chin stood at his side, and everyone knew why. They wanted the Asian face in the camera.
The police were happy to oblige.
âBut I would like to take this opportunity to make one thing clear. Law enforcement in San Francisco, together with federal officers and Homeland Security, are all committed to bringing terrorists to justice. No matter when the crime happened, no matter if the perpetrators walk among us, or on foreign soil. Decades might go by, but we will continue to be vigilant. We will find you.â
*Â Â Â *Â Â Â *
In a little while, they opened it up to the press, and it was the usual dance, with reporters pressing for details, and the police having little to offer. It was the kind of conversation heâd heard so many times it was