The Aeronaut's Windlass Read Online Free Page A

The Aeronaut's Windlass
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accounts of battleships and dreadnoughts that had attempted a dive, only to have their lift crystals tear themselves entirely free of the ship when attempting to arrest their descent too rapidly. Sane captains rarely tried a combat dive with anything heavier than a light cruiser—but for a relatively tiny destroyer-size ship like Predator , the dangerous feat dwelled at the heart of battle doctrine.
    Kettle kept his hands firm on the control grips, riding the ship into the dive, keeping her steady with the maneuvering planes mounted on her hull and in her tail. The etheric web still hauled the ship forward as before—but now she was rushing down as well, coming toward the Auroran ship almost directly out of the midday sun.
    The deck began to buck and jolt as their speed built. Timbers moaned and flexed in protest, the pitch rising steadily. Only the safety lines of his harness held Grimm in place, and he was once more glad to be a man of only middling height—poor towering Creedy was trying to imitate Grimm’s stoic posture, and his head was being yanked about randomly as the ship bucked its way into battle.
    The Auroran grew larger and larger, and the sound of Predator ’s straining timbers continued to rise in tone and volume. All ships made their own individual sounds during a dive, though no one was sure precisely why. Grimm’s midshipman’s tour had been aboard a destroyer named the Speck . It had howled like a damned soul when it stooped upon a victim. Other ships wailed like enormous steam whistles. Still others took up a regular pounding rhythm, like the beating of some vast drum. Once, Grimm had been aboard the light cruiser Furious , which literally boomed out enormous snarls as it charged to combat.
    But his ship outdid them all.
    When Predator sailed into war, she sang.
    The rapid winds and rising shrieks suddenly blended into a single harmonious tone. Lines in the rigging and the yards and the masts themselves quivered in time, and began giving off their own notes of music, in harmony with one another. As the speed increased, the chord rose and rose, and built and built , until it reached a crescendo of pure, eerie, inhuman fury.
    Grimm felt the music rise around him, felt the ship straining eagerly to her task, and his own heart raced in fierce exultation in time with her. Every line of the ship, every smudge upon her decks, every stain upon the leathers of his aeronauts leapt into his mind in vibrant detail. He could feel the ship’s motion, forward and down, could feel the wind of her passage, could feel the rising terror of his crew. One of the men screamed—one of them always did—and then the entire crew joined in with Predator , shrieking their battle cries together with their ship’s. The ship would not fail them—Grimm knew it; he felt it, the way he could feel sunlight on his face or the rake of wind in his hair.
    And he also felt it the instant their speed, their course, and their position were absolutely perfect.
    “Now!” he thundered, raising his arm in a single, sharp motion.
    Kettle pulled the altitude throttle from zero back up to its normal neutral buoyancy, and hauled hard on the steering grips. Though Grimm couldn’t see it, he knew what was happening: The engine room would have seen the throttle indicator, and even now Journeyman and his assistants would be unleashing power from the core crystal back into the lift crystal again, and the ship suddenly groaned as she began to slow.
    At the same time, Predator pirouetted upon her center axis, leaning over to her port, and brought her port-side broadside to bear upon the Auroran ship. Even with the protection of his goggles’ dark lenses, the flash of seven etheric cannon forced him to wince and look away as they sent their charges screaming toward the Aurorans.
    Each cannon was a framework of copper and brass around a copper-clad barrel of steel. A row of weapon crystals was suspended in the exact center of the barrel’s length
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